| Images for Study |
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Maps
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Introduction to the High Renaissance
in Italy
"High Renaissance" as stylistic notion and historiographic concept
(readings from Vasari to Wölfflin). Circa 1500: new concepts
of art, the artist, and the creative process (Leonardo da Vinci,
Giorgione). Geography, political and artistic: Rome, Florence,
Venice. |
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LEONARDO
DA VINCI, Adoration of the Magi, compare to Botticelli,
Adoration of the Magi |
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Leonardo da Vinci, Mona Lisa, compare
to Antonio Pollaiuolo, Portrait of a Woman; Leonardo da Vinci,
Portrait of Ginevra da Benci, compare to Verrocchio, Bust of
a Woman with a Flower; Leonardo da Vinci, Drawing of Hands;
Leonardo da Vinci, Portrait of Cecilia Gallerani |
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LEONARDO
DA VINCI, drawings: Vitruvian Man, Anatomical Studies |
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Compare to Antonio Pollaiuolo, Battle
of Nude Men (engraving), Martyrdom of St. Sebastian |
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GIORGIONE,
Tempesta, compare to Giovanni Bellini, St. Francis |
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MICHELANGELO,
David, compare to Dontaello, David, Verrocchio, David |
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BRAMANTE,
The Tempietto (Rome), compare to Giuliano da Sangallo, S. Maria
delle Carceri (Prato), and Leonardo da Vinci, Drawings of Centrally
Planned Churches |
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RAPHAEL |
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Galatea, compared to Botticelli, Birth
of Venus, The Medici Venus, The Capitoline Venus; The Three
Graces, compare to Botticelli, The Three Graces, Agostino di
Duccio, Relief Scultpures from the Tempio Malatestiano (Rimini);
Raphael, The Fire in the Borgo (Vatican), compare to Domenico
Ghirlandaio, Birth of St. John the Baptist, (S. Maria Novella,
Florence) |
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RENAISSANCE
ARCHAEOLOGY and Collections of Antiquities: Drawings by
Gentile da Fabriano, Pisanello and Jacopo Bellini; Ancient Sculptures
Admired in the Reniassance including the Apollo Belvedere, the
Torso Belvedere and the Laocoon, A Selection of Sarcophagi |
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Preparations in Milan: Leonardo
da Vinci |
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The court of Lodovico Sforza. Leonardo
da Vinci: equestrian monument, Virgin of the Rocks, Last Supper;
architectural studies. Bramante: S. Maria presso S. Satiro,
S. Maria delle Grazie. |
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Republican Florence, 1494-1512
The expulsion of the Medici and the establishment of the republic;
the role of Savonarola and the leadership of Piero Soderini.
Michelangelo's David and the heroic nude. The Sala del Gran
Consiglio: battle murals by Leonardo and Michelangelo, altarpiece
by Fra Bartolommeo. Leonardo, Michelangelo, Raphael: Madonna
and Child motif as field of invention. |
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Heroic
Nudes |
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Michelangelo, David, originally in the Piazza della Signoria,
Florence, Bacchus, Battle of the Lapiths and Centaurs |
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The
Decoration of the Sala del Gran Consiglio, | Palazzo
della Signoria, Florence |
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Leonardo
da Vinci, The Battle of Anghiari |
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Michelangelo,
The Battle of Cascina |
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Fra
Bartolommeo, The St. Anne Altarpiece |
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The
Theme of the Madonna and Child (I) |
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Michelangelo, Madonna of the Stairs,
Doni Holy Family, Taddei Tondo, Pitti Tondo, The Bruges Madonna |
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Focus
on The Bruges Madonna |
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The
Theme of the Madonna and Child (II) |
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Leonardo da Vinci, Madonna and Child
with St. Anne and the Infant St. John the Baptist |
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Raphael,
The Florentine Period, ca. 1504-1508 |
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The Theme of the Madonna and Child,
The Entombment, Portraits of Agnolo and Maddalena Strozzi |
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Julian Rome
The renewal of Rome and the ambitions of Pope Julius II. Bramante:
the new St. Peter's and the Vatican Belvedere. Michelangelo:
the tomb of Julius II and the Sistine Chapel ceiling. Raphael
in the Vatican: the Stanza della Segnatura and the Stanza d'Eliodoro.
Agostino Chigi's villa suburbana: the Farnesina. The Laocoön
and the new archaeology. |
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Donato
Bramante, New St. Peter's Basilica and the Vatican Palace Belvedere |
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Michelangelo,
The Tomb of Pope Julius II |
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Michelangelo, The Sistine Ceiling |
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The
Sistine Chapel before Michelangelo, The Fifteenth Century Frescoes
on the Side Walls |
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View
the Side Wall of the Sistine Chapel with the Life of Moses |
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View
the Side Wall of the Sistine Chapel with the Life of Christ |
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The
Sistine Chapel Ceiling |
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The
Sistine Chapel: Narrative Scenes (first half) |
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The
Sistine Chapel: Narrative Scenes (second half) |
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The
Sistine Chapel: Prophets and Sybils |
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The
Sistine Chapel: Spandrels |
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The
Sistine Chapel: Ignudi |
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The
Sistine Chapel: Ancestors of Christ |
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Raphael | Diagrams
of the Vatican Palace Stanze frescoed by Raphael |
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The
Stanza della Segnatura, Papal Apartments, Vatican Palace (full
views of frescoes)
The
Stanza della Segnatura, Papal Apartments, Vatican Palace (details)
The
Stanza d'Eliodoro, Papal Apartments, Vatican Palace
The
Stanza dell'Incendio, Papal Apartments, Vatican Palace
The
Vatican Loggia |
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The
Vatican Apartments before Raphael, including Pinturricchio's
Decorations of the Borgia Apartments |
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Video Excerpts |
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Raphael I, The Stanza della Segnatura,
The Disputa (I), [view
excerpt, 10.9MB] |
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Raphael I, The Stanza della Segnatura,
The Disputa (II), [view
excerpt, 8.2MB] |
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Raphael II, The Stanza della Segnatura,
The School of Athens |
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Raphael,
The Tapestries for the Sistine Chapel |
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Raphael, Other Works in Rome |
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Chapels
for the Chigi Family in S. Maria del Popolo and S. Maria della
Pace
The
Villa Farnesina |
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Courtier Culture |
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Baldesar Castiglione's Book of the
Courtier and new definitions of culture; the courtier as connoisseur
and the articulation of style. Portraiture and self-fashioning:
Raphael, Giorgione, Titian. |
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Print Culture
Invenzione, disegno, and engraving: Raphael and Marcantonio
Raimondi. Printing in Venice: Titian (et al.) and the monumental
woodcut. The significance of Dürer. |
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Raphael
and Marcantonio Raimondi |
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Massacre of the Innocents, Lucretia,
Quos ego |
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Titian, The Woordcut and Printing in
Venice |
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The
Triumph of Christ, Sacrifice of Abraham, The Crossing of the
Red Sea, St. Jerome |
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Jacopo
de'Barbari, Bird's Eye View of Venice, 1500 |
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Venice
Doge Leonardo Loredan and the war of the League of Cambrai.
The Fondaco dei Tedeschi: Giorgione and Titian. Giorgione: subjectivity
and the pastoral landscape. Titian and the monumental altarpiece. |
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The Culture of the Courts
Mantua: the studiolo of Isabella d'Este--Mantegna, Perugino,
Costa Ferrara: the camerino of Alfonso d'Este--Giovanni Bellini,
Fra Bartolommeo, Raphael, Titian, Dosso Dossi...and Michelangelo.
Ekphrasis, classical narrative, and the pictorial revival of
antiquity. |
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Mantua,
The Studiolo of Isabella d'Este |
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Paintings by Andrea Mantegna, Pietro
Perugino, Lorenzo Costa |
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Ferrara,
The Studiolo of Alfonso d'Este |
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Paintings by Giovanni Bellini, Titian,
Dosso Dossi |
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Post-classicism
The return of the Medici. Rome: Pope Leo X. Raphael: the Stanza
d'Eliodoro, the Stanza dell'Incendio, the Stanza di Costantino;
tapestry cartoons for the Sistine Chapel. Florence: Michelangelo
at San Lorenzo--the Medici Chapel. The last republic: Pontormo--Capponi
Chapel, St. Anne altarpiece The Sack of Rome (1527): artistic
diaspora and stylistic diffusion. The heirs of Raphael: Giulio
Romano, Parmigianino. . . |
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Michelangelo,
The Project for the Facade of San Lorenzo
The
New Sacristy with Tombs of the Medici Family, San Lorenzo
Jacopo
Pontormo, The Capponi Chapel, Santa Felicita |
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