Entry
into Jerusalem
(Matt. 21:111; Mark 11:110; Luke 19:2938; John 12:1215) |
|
![]() |
Christ's final visit
to Jerusalem, his entry into the city riding on an ass and surrounded
by a crowd crying Hosanna, is given in all four gospels though with
some variation of detail. In art it forms the first scene of the cycle
of the Passion, and is also treated as a separate subject. It is found
first in Christian art of the 4th cent. on sarcophagi from the Roman
catacombs. As part of the Passion cycle it is often to be seen in the
stained glass and stone carving of Gothic cathedrals. The subject seems
to have fallen out of favor in the later Renaissance. The gospels variously
describe the disciples as being sent to fetch an ass and its foal (Matt.),
or an unbroken colt (Mark, Luke) (the colt can be the young of an ass
as well as a horse). According to John, Christ merely 'found a donkey
and mounted it.' Artists show the Savior seated, generally astride,
with the foal often following behind. In the Eastern Church he traditionally
sits 'side-saddle'a normal way of riding an ass in the Eastand
is thus presented full-face, as if enthroned. In the background is a
city gate out of which pour a throng of young and old. The foremost
lays his cloak on the ground before Christ, while behind follow children
holding branches. The canonical gospels make no mention of children
but the apocryphal Gospel of Nicodemus relates that 'the children of
the Hebrews held branches in their hands.' The branches are usually
recognizable as palms, sometimes also olives. According to John the
people 'took palm branches and went out to meet him.' It is from this
that Palm Sunday takes its name, the festival on the Sunday before Easter
commemorating the Entry and which, in the Roman and eastern Churches,
includes a procession of palms. The olive branches are explained by
the fact that the scene takes place by the Mount of Olives. In the background
are two trees, usually olives but sometimes palms, and in each is the
figure of a man. One is cutting branches 'to spread in his path' (Matt.).
The other is Zacchaeus, a rich tax-gatherer, of whom Luke (19:3-4) says
that 'being a little man, he could not see him for the crowd. So he
ran on ahead and climbed a sycamore tree in order to see him.' This
incident which occurred in Jericho earlier on Christ's journey, is transferred
to the scene of the Entry. James Hall, Dictionary of Subjects and Symbols in Art, New York: Harper & Row, rev. ed. 1979 |