Massacre of the Innocents (Matt. 2:16) | |
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At
the time of Christ's nativity Herod the Great, learning of the birth of
the child who was destined to become "king of the Jews" and fearing that
his own power would thereby be usurped, ordered the wholesale slaughter
of infants in Bethlehem and the surrounding district. But the Holy Family,
forewarned by an angel, had already fled to safety (Flight into Egypt).
The scene is usually the courtyard of Herod's palace. Soldiers with drawn
swords are snatching infants from the arms of their protesting, grief-stricken
mothers. The ground is littered with dead bodies. Herod watches either
from a balcony or from a throne. A fleeing mother, her child hidden in
the folds of her cloak, represents Elizabeth, the mother of John the Baptist;
her escape into the hills with the infant Baptist is told in the apocryphal
Book of James. A seated woman lamenting over her child's body, alludes
to a passage from the book of Jeremiah (31:15), "Rachel weeping for her
children refused to be comforted... because they were not". The medieval
Church regarded this as a prefiguration of Herod's massacre. The cult
of the Holy Innocents, the veneration of the children as the first martyrs,
existed from very early in the Christian era. In the Middle Ages and later
they might be represented as a devotional group, holding martyrs' palms,
and are sometimes included in Italian Renaissance paintings of the Virgin
and Child with saints. James Hall, Dictionary of Subjects and Symbols in Art, New York: Harper & Row, rev. ed. 1979 |