Visitation | |
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The visit of the
Virgin Mary to her cousin Elizabeth, just after the Annunciation, is
told by Luke (1:3656). Their meeting was one of mutual rejoicing: Mary
had conceived and Elizabeth was in the sixth month of pregnancy after
a lifetime of barrenness. (Her child was John the Baptist.) The theme
occurs in the cycle of scenes of the life of the Virgin, and is found
also as a separate subject. In Gothic art the two generally greet each
other formally with a bow; the Renaissance shows them in the act of
embracing. Later works, particularly after the Counter-Reformation,
treat the theme devotionally, showing Elizabeth kneeling in homage before
the Virgin. The scene is usually in the open before the house of Zacharias,
the husband of Elizabeth. She is portrayed as an elderly matron in contrast
to the youthful Virgin. The women may be alone or, especially in 16th
century Venetian painting, accompanied by two men: Zacharias, who was
high priest of the Temple, wearing vestments, and Joseph, the husband
of Mary. More rarely Mary Clopas (or Cleophas) and Mary Salome are present.
The Byzantine painters' guide states: "Behind them a little child with
a stick upon his shoulder, at the end of which a basket is hanging.
On the other side is a stable. A mule is tied to it and feeds." These
reminders of the Virgin's journey are occasionally found in the early
Renaissance. James Hall, Dictionary of Subjects and Symbols in Art, New York: Harper & Row, rev. ed. 1979 |