Lit. "shrunken scenery." The imitation of a famous scenic spot meisho 名所 in a garden through the creation of a miniature or shrunken version. Mountains, rivers, lakes, seascapes and even man-made structures from China and Japan were incorporated into garden design. Scenic spots frequently used as shukukei included legendary peaks such as Mt. Penglai (Jp: *Hōraisan 蓬莱山) and Mt. Kunlun (Jp: Konronsan 崑崙山), as well as literary groupings of real places such as the Three Famous Views of Japan Nihon sankei 日本三景 (Matsushima 松島, Miyajima 宮島 and Ama no hashidate 天橋立), eight views of the Xiao and Xiang *Shōshō hakkei 瀟湘八景, eight views of Ōmi *Ōmi hakkei 近江八景, and the 53 Stations of the Tōkaidō *Tōkaidō gojūsantsugi 東海道五十三次. The idea of producing miniature garden views originated in China and dates from the Nara period in Japanese gardens.
The use of shukukei reached its peak in the large *daimyō teien 大名庭園 of the Edo period, where the cultural associations of the practice expressed the learning of the daimyō patron, and where the sequential ordering of the more complex shukukei groups provided a useful organizing principle. A good example of shukukei at a daimyō teien is seen at Koishikawa Kōrakuen 小石川後楽園 in Tokyo, where the Kiso 木曽 and Tatsuta 竜田 rivers, the Togetsu 渡月 and Tsūten 通天 bridges of Kyoto are some of the Japanese scenes represented, while the West Lake (Jp: *Seiko 西湖) and Mt. Lu (Jp: Rozan 盧山) number among the Chinese scenes. Other daimyō teien famous for shukukei include Ritsurin Kōen 栗林公園 in Ehime Prefecture, Kenrokuen 兼六園 in Ishikawa Prefecture, and Rikugien 六義園 in Tokyo.