| Title | Contains Image(s) | Description | Keywords |
|---|---|---|---|
| Aizen mandara 愛染曼荼羅 | A variety of *besson mandara 別尊曼荼羅, or *… |
Art History, Iconography | |
| Aizen Myōō 愛染明王 | Also Aizen'ō 愛染王. Sk: Ragaraja. A deity unknown in India. The word 'raga' originally referred to the… |
Art History, Iconography | |
| ajari 阿闍梨 | Sk: acarya. Teacher or master. A title conferred on an eminent priest who guides his pupils and sets a good example… |
Art History, Iconography | |
| Akadōji 赤童子 | Lit. red youth. Also often called Kasuga Akadōji 春日赤童子. A mysterious human figure said to have appeared on a rock… |
Art History, Iconography | |
| Amida 阿弥陀 | Also Amida Nyorai 阿弥陀如来. Buddha of Infinite Light (Sk: Amitabha, Jp: Muryōkō 無量光), also Buddha of Infinite… |
Art History, Iconography | |
| Amida jōdo hensō 阿弥陀浄土変相 | Lit. Amida Pure Land Transformation Scene. A large scale depiction of the Pure Land Paradise, gokuraku jōdo 極楽浄土 of… |
Art History, Iconography | |
| Amida sanzon 阿弥陀三尊 | Lit. Amida triad. A triad consisting of the Buddha *Amida 阿弥陀 (Sk:Amitabha/Amitayus) at… |
Art History, Iconography | |
| Anchin mandara 安鎮曼荼羅 | A variety of *besson mandara 別尊曼荼羅 used for performing the anchinhō… |
Art History, Iconography | |
| Ashuku 阿閦 | Ashuku, also Ashiku. Immovable One (Sk: Aksobhya). The name of a Buddha today generally associated with Esoteric Buddhism… |
Art History, Iconography | |
| Ashura 阿修羅 | Sk: Asura. Also abbreviated to shura 修羅. Among the Indo-Iranians, the term Asura Ashura in Avestan,… |
Art History, Iconography | |
| gaki 餓鬼 | Hungry ghosts. One of the types within the group *rokudō-e 六道絵 (paintings of… |
Art History, Iconography | |
| gakuten 楽天 | Heavenly musicians. Heavenly beings *hiten 飛天, playing musical instruments,… |
Art History, Iconography | |
| Genjō 玄奘 | Ch: Xuanzhuang/Xuanzang (600/2-664). A Chinese monk of the Tang Dynasty and the founder of the Hossō sect (see *… |
Art History, Iconography | |
| Genzu mandara 現図曼荼羅 | Genzu mandala. A version of the *Taizōkai mandara 胎蔵界曼荼羅 that is… |
Art History, Iconography | |
| Gigeiten 技芸天 | Goddess of the Arts. A minor Buddhist deity revered in Japan as patroness of the arts. According to the Gigei tennyo… |
Art History, Iconography | |
| giki 儀軌 | Sk: kalpa. Regulations prescribing Esoteric Buddhist mikkyō 密教 ceremonies, incantations and services, and the… |
Art History, Iconography | |
| gobu shinkan 五部心観 | A collection of iconographical line drawings *hakubyō 白描 in handscroll form… |
Art History, Iconography | |
| gochi nyorai 五智如来 | Lit. Five Wisdom *nyorai 如来 (Sk: Tathagatas); this refers to the Five Buddhas… |
Art History, Iconography | |
| Godai Myōō 五大明王 | Also sometimes called godaison 五大尊. Lit. five great *myōō 明王. Myōō… |
Art History, Iconography | |
| godairiki bosatsu 五大力菩薩 | Lit. five great bodhisattvas of strength. Also godairikiku 五大力吼 (five roars of great strength) or godairikison… |
Art History, Iconography | |
| gohyaku rakan 五百羅漢 | Ch: wubai luohan. Five hundred arhats *rakan 羅漢, a Buddhist art subject… |
Art History, Iconography | |
| gokōshii Amida 五劫思惟阿弥陀 | Also read gokōshiyui Amida. Lit. *Amida 阿弥陀 Meditating for Five Kalpas, a kalpa… |
Art History, Iconography | |
| Goso 五祖 | Ch: Wuzu. The Chinese priest Kōnin 弘忍 (Ch: Hongren, 601-75). The fifth patriarch of the Zen (Ch: Chan) sect. Representations… |
Art History, Iconography | |
| Gōzanze Myōō 降三世明王 | Also Shōzanze Myōō 勝三世明王. Lit. *myōō 明王 who subjugates the three worlds… |
Art History, Iconography | |
| Gozu Tennō 牛頭天王 | Also called Butō 武塔, Gion Tenjin 祇園天神, or simply Tennō 天王. The deity of Yasaka Jinja 八坂神社 in Gion 祇園, Kyoto, also called… |
Art History, Iconography | |
| guhari-no-Amida 紅玻璃阿弥陀 | Lit. *Amida 阿弥陀 with Red Skin. An image of Amida depicted in red, or less commonly… |
Art History, Iconography | |
| Gundari Myōō 軍荼利明王 | Also Kanro Gundari 甘露軍荼利 (Sk: Amrtakundalin); also known as Kirikiri Myōō 吉里吉里明王. One of the five great myōō *… |
Art History, Iconography | |
| Guze Kannon 救世観音 | A name often used for *Shōkannon 聖観音, it refers to the simple (non-esoteric) form of… |
Art History, Iconography |
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