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Japanese Art

Feature Module: Illustrated Legends of Kitano Shrine and Illustrated Sutra of The Miracles of Kannon

Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Kamakura period (1185–1333), 13th century
Unidentified artist
Japan
Handscroll; ink and color on paper; 11 3/4 in. x 28 ft. 3 3/4 in. (29.8 x 863 cm)
Fletcher Fund, 1925 (25.224a–e)

The Illustrated Legends of Kitano Shrine and The Illustrated Sutra of The Miracles of Kannon offer detailed visual explorations of emaki, or emakimono, from the collection of the Metropolitan Museum of Art. These narrative picture scrolls are a distinctly Japanese art form that flourished in the Heian and Kamakura periods (794 - 1185 and 1185 - 1333 respectively). The Illustrated Legends of Kitano Shrine is the Metropolitan Museum’s version of the Kitano Tenjin Engi, painted during the Kamakura period in the second half of the thirteenth century. It depicts the origin of the Kitano Shrine of the Tenjin cult, one of the most important in the Shinto religion. The Illustrated Sutra of The Miracles of Kannon is a Kamakura period scroll, which illustrates episodes taken from the "Universal Gate" chapter (25) of the Lotus Sutra. According to the calligrapher Sugawara-no-Mitsushige's inscription, this scroll was made in the first year of the Shoka era (1257) and was modeled after a Chinese Song-dynasty printed book dated 1208.

(This text was adapted from Grove Art Online and the Metropolitan Museum of Art’s Timeline of Art History: http://www.metmuseum.org/toah/ho/07/eaj/ho_25.224.htm ).

Access to the scroll is intended for classroom presentation, or student study focusing on each panel as an individual work of art. It is part of our goal to learn about issues of design and content from our partners and audiences in the academic and museum worlds. After a period of vigorous development and production for Web-based programs during the past several years, many educators, curators and foundation officers are taking time to evaluate the impact of new media on the practice of education at all stages of the process, in and out of the classroom. For this reason, we look forward to hearing from you on any aspect of our work.


Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Part I, Kamakura Period, (1185-1333), 13th century
handscroll; ink and color on paper, 11 3/4 in. x 28 ft. 3 3/4 in., (29.8 x 863 cm), Fletcher Fund, 1925 (25-224a)
The Metropolitan Museum of Art, New York

Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Part II, Kamakura Period, (1185-1333), 13th century
handscroll; ink and color on paper, 11 3/4 in. x 28 ft. 3 3/4 in., (29.8 x 863 cm), Fletcher Fund, 1925 (25-224b)
The Metropolitan Museum of Art, New York

Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Part III, Kamakura Period, (1185-1333), 13th century
handscroll; ink and color on paper, 11 3/4 in. x 28 ft. 3 3/4 in., (29.8 x 863 cm), Fletcher Fund, 1925 (25-224c)
The Metropolitan Museum of Art, New York

Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Part IV, Kamakura Period, (1185-1333), 13th century
handscroll; ink and color on paper, 11 3/4 in. x 28 ft. 3 3/4 in., (29.8 x 863 cm), Fletcher Fund, 1925 (25-224d)
The Metropolitan Museum of Art, New York

Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Part V, Kamakura Period, (1185-1333), 13th century
handscroll; ink and color on paper, 11 3/4 in. x 28 ft. 3 3/4 in., (29.8 x 863 cm), Fletcher Fund, 1925 (25-224e)
The Metropolitan Museum of Art, New York

Illustrated Sutra of The Miracles of Kannon, Kamakura period (1185–1333), dated 1257, Unidentified artist, Japan
Handscroll; ink, color, and gold on paper; 9 7/16 in. x 30 ft. 8 1/16 in. (23.9 x 934.9 cm), Purchase, Louisa Eldridge McBurney Gift, 1953 (53.7.3)
The Metropolitan Museum of Art, New York



Image Porfolios

Arts of the Gozan (the poem-picture scroll and gardens)

Castles of the Momoyama Period

Dainichi at Metropolitan Museum of Art

From Kuroda Seiki to Mavo and the Taisho

Heian Narrative Scrolls

Kamakura Handscrolls (Warrior Patronage and Sectarian Narrative)

Kami and Buddha (Shinto and Early Buddhist Art (Ho*ryu*ji))

Kukai and Esoteric Buddhist Art (Toji Temple and Ninth-Century)

Late Edo Ukiyo-e and Visual Culture

Muromachi Ink Painting (The Ashikaga Shogunal Collection, Sesshu)

Nihonga and Oil Painting (An Art for Modern Japan)

Rinpa (Ko*etsu, So*tatsu, Ko*rin and Kenzan)

Salvation in the Pure Land (Byodo-in, Chusonji and the Mid-Heian Aristocratic Temple)

Shoin-style Architecture, Nijo* Castle and Kano* Tan'yu*

The 18th Century Kyoto Schools (Western-Style Realism and Eccentrics)

The Age of Tumuli--The Kofun Period

The Arts of Japanese Calligraphy and Decorated Sutras

The Literati School of Painting (Hyakusen, Taiga, Buson, Gyokudo*, Chikuden)

The Material Culture of the Jomon and Yayoi Periods

The Miraculous Origins of Mt. Shigi (Scroll 1, The Flying Granary)

The Miraculous Origins of Mt. Shigi (Scroll 2, The Exorcism of the Engi Emperor)

The Miraculous Origins of Mt. Shigi (Scroll 3, The Story of the Nun)

The Rise of Ink Painting and the Arrival of Zen Culture

The Rise of the Kano School and the Abbott's Quarters at Daisen-in Reiun-in, Juko*-in

The Rise of the Samurai Class and Kamakura Buddhist Sculpture

The Rise of Ukiyo-e (Matabei, Moronobu, & Torii School)

The Tea Ceremony, Nikko* Mausoleum, and Katsura Rikyu*

The Yamato-e Tradition in the Muromachi Period (Tosa Mitsunobu)

Todaiji and the Nara Imperium (Japan as a Buddhist State)



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Art and Architecture of Japan