| Title | Contains Image(s) | Description | Keywords |
|---|---|---|---|
| a-un 阿吽 | ✓ | Sk: a-hum. 'A' is the sound of the first letter of the Sanskrit alphabet and is pronounced with the mouth open.… |
Art History, Sculpture |
| agedatamiza 上畳座 | A raised platform with a *tatami 畳 mat on top, often having a brightly… |
Art History, Sculpture | |
| Agyō 阿形 | A statue of a figure with its mouth open. Usually seen on one of a pair of guardian kings *Niō… |
Art History, Sculpture | |
| akobujō 阿古父尉 | Also written as 阿瘤尉. A Noh mask *nōmen 能面, representing a dignified, old man who… |
Art History, Sculpture | |
| Ama 案摩 | A dance piece in *bugaku 舞楽, as well as the mask *… |
Art History, Sculpture | |
| ama 尼 | Lit. nun. A character in kyōgen 狂言 plays, represented by a masked figure *… |
Art History, Sculpture | |
| Amida keka 阿弥陀悔過 | One of a group of chanted prayers used to express penitence to various Buddhist deities. Prayers of repentance to *… |
Art History, Sculpture | |
| Amida kubon-in 阿弥陀九品印 | Also read Amida kuhon-in. Lit. Mudras of the nine grades of Amida. The Pure Land jōdo 浄土 into which *… |
Art History, Sculpture | |
| andae 安陀衣 | The simplest form of robe that a Buddhist priest wears when he is either resting or at work. The andae is one of… |
Art History, Sculpture | |
| Annamiyō 安阿弥様 | A style of Buddhist statuary originated by Kaikei 快慶 (?-1189-1221-?), a devout believer in the Pure Land sect, Jōdokyō … |
Art History, Sculpture | |
| arabori 荒彫 | Lit. rough cutting. The second stage in the making of a wooden statue. The first stage is to cut a large block of timber the… |
Art History, Sculpture | |
| aratsuchi 荒土 | Lit. rough clay. Clay mixed with other materials (known as *susa すさ),… |
Art History, Sculpture | |
| asakurajō 朝倉尉 | A Noh mask *nōmen 能面 representing an old man. The broad bone structure, direct… |
Art History, Sculpture | |
| asao 麻紵 | Also written 麻緒, 麻苧, asahimo 麻紐, asa-ito 麻糸. Cord or thread made from hemp, asa 麻, and Chinese… |
Art History, Sculpture | |
| ashihozo 足ほぞ | Lit. foot-tenon. A rectangular piece of wood that projects from the sole of a standing wooden statue and fits into a… |
Art History, Sculpture | |
| awaotoko 阿波男 | A Noh mask *nōmen 能面 of the basic emaciated *… |
Art History, Sculpture | |
| ayakashi 怪士 | Also written 霊神, 網像, 危. Noh masks *nōmen 能面, representing a wraith or a… |
Art History, Sculpture | |
| Ayakiri 綾切 | Also written 阿夜岐理 and called Aikirijo 愛嗜女. A dance piece in *bugaku 舞楽 and a… |
Art History, Sculpture | |
| uchiguri 内刳 | A technique used to hollow out the interior of a wooden statue. The hollow produced is also called uchiguri.… |
Art History, Sculpture | |
| uetsuke 植付け | Lit. "planting." A technique used to make wooden statues, where the hair and beard are made separately, and then attached to… |
Art History, Sculpture | |
| ukebana 受花 | ✓ | Also written 請花, 受華, 請華; sometimes pronounced ukehana. Flower-shaped support. A support in the shape of an open,… |
Architecture, Sculpture, Decorations, Art History |
| ukibori 浮彫 | Formerly known as hanshutsuzō 半出像. A relief, or a method used to carve a relief on a flat surface. Halfway… |
Art History, Sculpture | |
| ushitsunisha 烏瑟に沙 | See *nikkei 肉髻. A hemispherical protuberance emerging from the head of a… |
Art History, Sculpture | |
| usobuki 空吹 | Also usofuki, sometimes written 嘯吹. Lit. "bluffer or whistler"; a humorous mask used in kyōgen 狂言 plays.… |
Art History, Sculpture | |
| usunikubori 薄肉彫 | Also asanikubori 浅肉彫, asaukibori 浅浮彫, teiukibori 低浮彫, usuukibori 薄浮彫. A type of… |
Art History, Sculpture |
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