Compiled by Audrey Steinkamp
 

Archives and Unpublished Sources

 

Curatorial Files. Art Properties, Avery Architectural & Fine Arts Library, Columbia University, New York.

Faunce, Sarah. FileMaker Pro Database Spreadsheets. Sarah Faunce Research Papers Related to Gustave Courbet Catalog Raisonné, Getty Research Institute, Los Angeles, California, (2018.M.3). 

Florine and Ettie Stettheimer Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, Connecticut.

Florine Stettheimer Papers. Rare Book and Manuscript Library, Columbia University Library, New York.

Published Sources

 

Andrews, Malcolm. Landscape and Western Art. Oxford University Press, 1999.

Baigell, Matthew. “The Beginnings of ‘The American Wave’ and the Depression.” Art Journal 27, no. 4 (1968): 387–98.

Balken, Debra Bricker. After Many Springs: Regionalism, Modernism, and the Midwest. Yale University Press, 2009.

Baron, Frank. “From Alexander Von Humboldt to Frederic Edwin Church: Voyages of Scientific Exploration and Artistic Creativity.” HiN-Alexander von Humboldt im Netz. Internationale Zeitschrift für Humboldt-Studien 6, no. 10 (2005): 7–20.

Berman, Russell A. “Faust, Germany, and Unification.” South Central Review 12, no. 2 (1995): 1–15. 

Biennial Exhibition of Contemporary American Painting [First]. Whitney Museum of American Art, 1932.

Biographisches Lexikon Für Ostfriesland. Ostfriesische Landschaftliche, 1993. 

Bloemink, Barbara J. Florine Stettheimer: A Biography. Hirmer, 2021.

———. Friends and Family: Portraiture in the World of Florine Stettheimer. Katonah Museum of Art, 1993.

———, The Life and Art of Florine Stettheimer. Yale University Press, 1995.

Boswell, Peyton. “Fletcher Martin Painter of Memories.” Parnassus 12, no. 6 (1940): 7–13.

Chessex, Pierre. “Courbet en Eldorado: Les années d’exil en Suisse, 1873–1877.” Ligeia: Dossiers sur l’art, no. 41–44 (2002–2003): 82–88.

Cole, Thomas. “Essay on American Scenery.” American Monthly Magazine. (1836): n.p.

Colmjon, Gerben. The Hague School: The Renewal of Dutch Painting Since the Middle of the Nineteenth Century. Leidsche Uitgeversmaatschappij, 1951.

Cooke, Hereward Lester. Fletcher Martin. Abrams, 1977.

​​Courbet, Gustave. Letters of Gustave Courbet, edited and translated by Petra ten-Doesschate Chu. University of Chicago Press, 1992.

Crary, Jonathan. “Subjective Vision and the Separation of the Senses.” Techniques of the Observer: on Vision and Modernity in the Nineteenth Century (1990): 67–97.

Daston, Lorraine. “Cloud Physiognomy.” Representations 135, no. 1 (2016): 45–71. 

de Bruyn Kops, C. J. “De Hollandse Jaren van Barend Cornelis Koekkoek.” Bulletin van Het Rijksmuseum 11, no. 2 (1963): 39–53.

Deshmukh, Marion F. “Between Tradition and Modernity: The Düsseldorf Art Academy in Early Nineteenth Century Prussia.” German Studies Review 6, no. 3 (1983): 439–73. 

de Werd, Guido. Barend Cornelis Koekkoek 1803–1862. Zeichnungen. Boss-Druck & Verlag, 1983.

Doss, Erika. “Looking at Labor: Images of Work in 1930s American Art.” The Journal of Decorative and Propaganda Arts 24 (2002): 231–57. 

———. “Toward an Iconography of American Labor: Work, Workers, and the Work Ethic in American Art, 1930-1945.” Design Issues 13, no. 1 (1997): 53–66. 

Dow, Arthur Wesley. Composition. Doubleday, Page & Company, 1914.

Durand, Asher B. “Letters on Landscape Painting.” The Crayon: A Journal Devoted to the Graphic Arts, and the Literature Related to Them 1 (1855): n.p.

Durand, John. The Life and Times of A.B. Durand. Charles Scribner’s Sons, 1894.

Ebersole, Barbara Warren. Fletcher Martin. University of Florida Press, 1954.

Faunce, Sarah, and Linda Nochlin, eds. Courbet Reconsidered. The Brooklyn Museum, 1988.

Ferber, Linda S. Kindred Spirits: Asher B. Durand and the American Landscape. Brooklyn Museum, 2007.

Fernier, Robert. Courbet, Tome II: 1866–1877. Vol. II of La vie et l’œuvre de Gustave Courbet. Fondation Wildenstein and La Bibliothèque des Arts, 1978.

Fitz, Karsten. “The Düsseldorf Academy of Art, Emanuel Leutze, and German-American Transatlantic Exchange in the Mid-Nineteenth Century.” Amerikastudien / American Studies 52, no. 1 (2007): 15–34.

Gallagher, Peggy. “Modern Art Declared Passe.” Elmira Star-Gazette, February 7, 1962.

Gassan, Richard H. The Birth of American Tourism: New York, the Hudson Valley, and American Culture, 1790–1835. University of Massachusetts Press, 2008.

Gerdts, William H. “‘‘Good Tidings’ to the Lovers of the Beautiful’: New York’s Düsseldorf Gallery, 1849-1862.” American Art Journal 30, no. 1/2 (1999): 50–81.

Gorissen, Friedrich. B.C. Koekkoek 1803–1862: Wekverzeichnis der Gemälde. Rheinland-Verlag, 1962.

Gould, Stephen Jay. “Church, Humboldt, and Darwin: The Tension and Harmony of Art and Science.” In Frederic Edwin Church by Franklin Kelly. National Gallery of Art and Smithsonian Institute Press, 1989

Green, Nancy E. Arthur Wesley Dow and His Influence. Herbert F. Johnson Museum of Art, 1990.

———, Frederick C. Moffatt, Marilee Boyd Meyer, Richard J. Boyle, Barbara L. Michaels, and Lauren Berkley. Arthur Wesley Dow (1857–1922): His Art and His Influence. Spanierman Gallery, 1999.

Greenshields, E. B. Landscape Painting and Modern Dutch Artists. The Copp Clark Co., 1906.

Hochstadt, Steve. “Migration in Preindustrial Germany.” Central European History 16, no. 3 (1983): 195–224.

Howat, John K. American Paradise: The World of the Hudson River School. The Metropolitan Museum of Art, 1987.

Howe, Jeffrey, ed. Courbet: Mapping Realism. Paintings from the Royal Museums of Fine Arts of Belgium and American Collections. McMullen Museum of Art, Boston College, 2013.

Hunter, Matthew C. “Graphic Making, Actuarial Knowing Transfer and Countertransference in Frederic Edwin Church's South American Drawings.” West 86th: A Journal of Decorative Arts, Design History, and Material Culture 23, no. 1 (2016): 56–78.

Huntington, David C. “Landscape and Diaries: The South American Trips of F. E. Church.” The Brooklyn Museum Annual 5 (1963): 65–98. 

Joly, Carine, and Valérie Pugin, eds. Gustave Courbet: L’école de la nature / The School of Nature. Silvana Editoriale, 2021.

Jütte, Robert. “Westphalian Pedlars: A Research Project Applying Oral History in Germany.” Oral History 7, no. 1 (1979): 54–56.

Koehler, Robert. “Painting of the Nineteenth Century in Germany.” Fine Arts Journal 34, no. 11 (1916): 579–608.

Koekkoek, Barend Cornelis. Herinneringen en Mededelingen van Eenen Landschapschilder. Amsterdam, 1841.

Leeds, Valerie Ann. Marguerite Zorach: A Life in Art. Gerald Peters Gallery, 2007.

Macfarlane, Robert. Landmarks. Hamish Hamilton, 2015.

Mainardi, Patricia. “Learning to Draw Landscape in Nineteenth-Century France.” Nineteenth-Century Art Worldwide 21, no. 2 (2022): n.p.

Manthorne, Katherine. Creation & Renewal: Views of Cotopaxi by Frederic Edwin Church. National Museum of American Art, 1985.

Marius, G. H. Dutch Painting in the Nineteenth Century, translated by Alexander Teixeira de Mattos. Alexander Moring, 1908.

Marsden-Atlass, Lynn, and André Dombrowski. At the Source: A Courbet Landscape Rediscovered. The University of Pennsylvania Press, 2023.

Martin, Fletcher. Fletcher Martin: A Thirty-Year Retrospective. Frank A. West Company, Incorporated, 1968.

McBride, Henry. Florine Stettheimer. Museum of Modern Art, 1946.

Miller, Angela. The Empire of the Eye: Landscape Representations and American Cultural Politics, 1825-1875. Cornell University Press, 1993.

Moffatt, Frederick C. Arthur Wesley Dow (1857–1922). Smithsonian Institution, 1977.

Morrin, Peter, Judith Zilczer, and William C. Agee. The Advent of Modernism: Post-Impressionism and North American Art, 1900-1918. High Museum of Art, 1986.

Morton, Marsha. “German Romanticism: The Search for ‘A Quiet Place.’” Art Institute of Chicago Museum Studies 28, no. 1 (2002): 9–107.

Morton, Mary, and Charlotte Eyerman. Courbet and the Modern Landscape, with an essay by Dominique de Font-Réaulx. The J. Paul Getty Museum, 2006.

Mühling, Matthias, Karin Althaus, Susanne Böller, and Gerrit Jackson, eds. Florine Stettheimer. Hirmer, 2014. 

Myers, Kenneth. The Catskills: Painters, Writers, and Tourists in the Mountains 1820-1895. Hudson River Museum of Westchester, 1987.

Nochlin, Linda. “Florine Stettheimer: Rococo Subversive.” Art in America Archive 68, no. 7 (1980): 64–83.

Nollert, Angelika. Barend Cornelis Koekkoek 1803–1862: Prinz der Landschaftsmaler. Dordrechts Museum, 1997.

Novak, Barbara. "Nature and Culture American Landscape and Painting, 1825-1875." Third edition. Oxford University Press, 2007.

Novalis. “Fragments and Studies: 1799 – 1800.” Novalis: Philosophical, Literary, and Poetic Writings (2024): 257–333. 

Raab, Jennifer. Frederic Church: The Art and Science of Detail. Yale University Press, 2015.

———. “’Precisely These Objects’: Frederic Church and the Culture of Detail.” The Art Bulletin 95, no. 4 (2013): 578–96.

Rena, Tobey. “The Blasted Tree,” New Britain Museum of American Art (2013): n.p. 

Rosenbaum, Julia B. “Delineating Land: Art, Mapping, and the Work of Frederic Edwin Church.” In Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas. Routledge, 2020.

———, Karen Zukowski, and Larry Lederman. Frederic Church's Olana on the Hudson: Art, Landscape, Architecture. Rizzoli Publications, 2018.

Sheehan, James J. “Liberalism and Society in Germany, 1815-48.” The Journal of Modern History 45, no. 4, (1973): 583–604. 

Sussman, Elizabeth. Florine Stettheimer: Still Lifes, Portraits and Pageants, 1910 to 1942. Institute of Contemporary Art, 1980.

———, Barbara J. Bloemink, and Linda Nochlin. Florine Stettheimer: Manhattan Fantastica. Whitney Museum of American Art, 1995.

Stechow, Wolfgang. “Esajas van de Velde and the Beginnings of Dutch Landscape Painting.” Nederlands Kunsthistorisch Jaarboek 1 (1947): 83–94.

——— “The Winter Landscape in the History of Art.” Criticism 2, no. 2 (Spring 1960): 175–89.

——— Dutch Landscape Painting of the Seventeenth Century. Phaidon Press, 1966.

Stettheimer, Florine, Stephen Brown, Georgiana Uhlyarik, Cecily Brown, and Jens Hoffmann. Florine Stettheimer: Painting Poetry. The Jewish Museum; Art Gallery of Ontario; Yale University Press, 2017.

Tarbell, Roberta K. William and Marguerite Zorach: The Maine Years. Farnsworth Art Museum, 1979.

Tyler, Parker. Florine Stettheimer: A Life in Art. Farrar, Straus, 1963.

Vaughan, William. Romanticism and Art. Thames and Hudson Ltd., 1943. 

Veith, Gene Edward. Painters of Faith. Regnery Publishing, Inc., 2001.

Von Humboldt, Alexander. Cosmos: A Sketch of a Physical Description of the Universe. Vol. 5. Harper & Brothers, 1859.

Wagner, Anne M. “Courbet’s Landscapes and Their Market.” Art History 4, no. 4 (1981): 410–31.

WalkingStick, Kay, Wendy Nālani E. Ikemoto, and Louise Mirrer. Kay WalkingStick / Hudson River School. New-York Historical Society, 2023.

Wattenmaker, Richard J. The Art of Charles Prendergast. Rutgers University Art Gallery, 1968.

Wood, Grant. Revolt Against the City. Clio Press, 1935.

Zandonella, Catherine. “‘Nature’s Nation’: How American Art Shaped Our Environmental Perspectives.” Princeton University, October 10, 2018. https://www.princeton.edu/news/2018/10/10/natures-nation-how-american-art-shaped-our-environmental-perspectives