| Title | Contains Image(s) | Description | Keywords |
|---|---|---|---|
| mandara 曼荼羅 | Also written 曼陀羅 or 曼拏羅. Mandala. A diagram that depicts Buddhist deities according to certain geometric formats and… |
Art History, Iconography | |
| Maria Kannon マリア観音 | The name used for the images of the Virgin Mary, Mother of Christ in the guise of *Kannon… |
Art History, Iconography | |
| Marishiten 摩利支天 | Transliteration of Sanskrit Marici, the name of a Buddhist goddess representing an amalgamation of several Hindu antecedents… |
Art History, Iconography | |
| Matarajin 摩多羅神 | The protective deity of the Jōgyō zanmaidō 常行三味堂 of Enryakuji 延暦寺 on Mt. Hiei 比叡 in Kyoto. He is usually portrayed… |
Art History, Iconography | |
| Memyō Bosatsu 馬鳴菩薩 | Also popularly known as Manari Myōjin 馬鳴明神 or Sanjin 蚕神 (God of Silkworms). A bodhisattva *… |
Art History, Iconography | |
| mikaeri Amida 見返阿弥陀 | Lit. "Amida looking back." An image of a standing *raigō-in Amida 来迎印阿弥陀… |
Art History, Iconography | |
| Mikomori Myōjin 御子守明神 | Also called Komori Myōjin 子守明神 and may appear in the triad known as Mikomori Sannyoshin 御子守三女神 (see below). The deity of… |
Art History, Iconography | |
| mikoshi 神輿 | Also read shin'yo. Also written 御輿. A palanquin used to transport Shinto deities. A mikoshi was believed… |
Art History, Iconography | |
| Miroku 弥勒 | Also Jishi 慈氏, lit. "compassionate one" (Sk. Maitreya). A bodhisattva *bosatsu… |
Art History, Iconography | |
| mishōtai 御正体 | A term whose definition falls under three headings. The first refers to representations of specific Shinto deities, often in… |
Art History, Iconography | |
| miya mandara 宮曼荼羅 | Lit. "mandala of a shrine." Devotional paintings (usually on large hanging scrolls) of the landscape of a shrine and its… |
Art History, Iconography | |
| Monju 文殊 | An abbreviation of Monjushiri 文殊師利 (also Manjushiri 曼殊室利), which transliterates Sk. Manjusri. Also translated Myōkichijō 妙吉祥… |
Art History, Iconography | |
| Muchaku Seshin 無著・世親 | Asanga and Vasubandhu, two 5th century Indian brothers instrumental in founding the Hossō 法相 school of Buddhism. Asanga (Jp… |
Art History, Iconography | |
| Myōken 妙見 | Sk: Sudrsti, also Sonshōō 尊星王 or Hokushin bosatsu 北辰菩薩. Originally a deification of the Polestar, … |
Art History, Iconography | |
| myōō 明王 | Translation of Sanskrit vidyaraja, meaning spell-king. Vidya literally means knowledge, but in Esoteric Buddhism mikkyō… |
Art History, Iconography | |
| Nichiren 日蓮 | An abbreviation of Nichiren Shōnin 日連上人 (1222-82). A radical reformer of popular Buddhism and founder of the … |
Art History, Iconography | |
| nijūgo bosatsu 二十五菩薩 | Lit. "25 bodhisattvas *bosatsu 菩薩." The bosatsu that are… |
Art History, Iconography | |
| nijūhachi bushū 二十八部衆 | The 28 attendants of *Senju Kannon 千手観音. They protect those who place… |
Art History, Iconography | |
| nijūhasshuku 二十八宿 | Lit. "28 lunar mansions." In the astronomical theory of both ancient India and China the path of the moon during a single… |
Art History, Iconography | |
| nika byakudō-zu 二河白道図 | Also read niga byakudō-zu. Lit. "picture of Two Rivers and the White Path." Inspired by a parable taught by the… |
Art History, Iconography | |
| Nikkō Gakkō 日光・月光 | Solar Radiance and Lunar Radiance. 1 Sk: Suryavairocana and Candravairocana. Two… |
Art History, Iconography | |
| Ninnōgyō mandara 仁王経曼荼羅 | A variety of *besson mandara 別尊曼荼羅 based on the Ninnō Gokoku Hannya… |
Art History, Iconography | |
| Niō 仁王 | ✓ | Also written 二王. Also called *niten 二天 and Niōson 仁王尊. Lit. "two kings" or "benevolent kings."… |
Art History, Iconography |
| niten 二天 | A pair of devas *ten 天 or Buddhist guardian gods, such as *… |
Art History, Iconography | |
| Niu Myōjin 丹生明神 | Also Niutsuhime Myōjin 丹生都比売明神. A female mountain deity that resides in Mt. Kōya 高野. According to legend *… |
Art History, Iconography | |
| Nyoirin Kannon 如意輪観音 | Sk: Cintamanicakra. A form of *Kannon 観音, most often six armed and… |
Art History, Iconography | |
| nyorai 如来 | Lit. "the thus-come one." Sk: tathagata. One who has realized true enlightenment. In order to reach this state of… |
Art History, Iconography |
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