Published Sources
Ange-Laurent La Live de Jully. “Préface.” In Ange-Laurent de La Live de Jully: a facsimile reprint of the Catalogue historique (1764) and the Catalogue raisonné des tableaux (March 5, 1770) /with an introductory essay and a concordance to the French paintings by Colin B. Bailey, v-viii. New York: Acanthus Books, 1988.
Avery, Charles. Fingerprints of the Artist. European Terra-Cotta Sculpture from the Arthur M. Sackler Collection. Washington, D.C.: Arthur M. Sackler Foundation and Cambridge, MA: The Fogg Art Museum, 1981.
Bailey, Colin B. “Pioneering ‘Patriotic Taste’: Ange-Laurent de La Live de Jully (1725-1779).” In Patriotic Taste: Collecting Modern Art in Pre-Revolutionary Paris, 33-70. New Haven and London: Yale University Press, 2002.
Bassett, Jane, and Peggy Fogelman. Looking at European Sculpture. A Guide to Technical Terms. Los Angeles: J. Paul Getty Museum, 1997.
Bertrand Jean-Marie, La violence dans les mondes grec et romain. Paris : Éditions de la Sorbonne, 2005
"Blumenthal, George." In Marquis Who Was Who in America 1607-1984, edited by Marquis Who's Who. Marquis Who's Who LLC, 2009. http://ezproxy.cul.columbia.edu/login?qurl=https%3A%2F%2Fsearch.credoreference.com%2Fcontent%2Fentry%2Fmarqwas%2Fblumenthal_george%2F0%3FinstitutionId%3D1878.
Bouquillon, Anne, Guirec Querré, and Frédéric Saltron, “Terracottas around Clodion: Chemical and Mineralogical Studies and Thermoluminescence Analysis.” In Material Issues in Art and Archaeology III, edited by James Druzik, Ian Freestone, Pamela Vandiver, and George Segan Wheeler, 621-626. Pittsburgh: Materials Research Society, 1993.
Bowden, Ross. “What is Wrong with an Art Forgery?: An Anthropological Perspective.” The Journal of Aesthetics and Art Criticism 57, no. 3 (Summer 1999): 333-343.
https://doi.org/10.2307/432198
Briefel, Aviva. The Deceivers: Art Forgery and Identity in the Nineteenth Century. Ithaca, N.Y.: Cornell University Press, 2006.
Buratti-Hasan, Sandra and Vitacca Sarah, Bacchanales modernes ! Le nu, l’ivresse et la danse dans l’art français du XIX e siècle. Milan: Silvana editoriale, 2016
Cancik, Hubert, Schneider, Helmut and Landfester, Manfred, Brill’s Encyclopedia of the Ancient World New Pauly. Boston: Brill Leiden, 2003
Center for the History of Collecting. “Blumenthal, Mary Ann Payne Clew.” The Frick Collection. Accessed July 19, 2019.
https://research.frick.org/directory/detail/1233.
Cohen, Paula Marantz. “The Meanings of Forgery.” Southwest Review 97, no. 1 (2012): 12-25.
http://www.jstor.org/stable/43821007
———.“Frick, Henry Clay, 1849-1919.” Accessed July 19, 2019.
https://research.frick.org/directory/detail/375.
———.“Gardner, Isabella Stewart, 1840-1924.”Accessed July 19, 2019.
https://research.frick.org/directory/detail/350.
———.“Morgan, J. Pierpont (John Pierpont,) 1837-1913.” Accessed July 19, 2019.,
https://research.frick.org/directory/detail/1005.
“Clodion [Michel, Claude].” Grove Art Online. Oxford: Oxford University Press, 2003.
Comte de Caylus, Vie de Jacques Sarazin, March 1, 1749, manuscript.
Contemporary Authors Online, Detroit, MI: Gale, 1998. Biography In Context."Germain Seligman." Accessed July 23, 2019. https://link-galegroup-com.ezproxy.cul.columbia.edu/apps/doc/H1000089359....
Christie’s, Manson & Woods International Inc. A Golden Age: An Important Collection of 19th
Century Furniture & Decorative Art. New York: Christie’s, 2018.
Dickerson, C.D., Anthony Sigel, and Ian Wardropper. Bernini: Sculpting in Clay. New York: The Metropolitan Museum of Art, 2012.
Draper, James David. European Terracottas from the Arthur M. Sackler Collections. New York: The Metropolitan Museum of Art, 1981.
Draper, James David, and Guilhem Scherf. Playing with Fire. European Terracotta Models, 1740-1840. New York: Metropolitan Museum of Art, Paris: Réunion des Musées Nationaux, and New Haven: Yale University Press, 2003.
Encyclopedia, Jewish Women’s Archive. “Florence Meyer Blumenthal.” Accessed July 19, 2016. https://jwa.org/encyclopedia/article/blumenthal-florence-meyer.
R. Blumenthal, George Blumenthal: Art Collector and Patron, 1965. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York.
Ferrari,Stefano, Ossanna Cavadini, Nicoletta, Winckelmann J.J. ( 1717 – 1768), Monumenti antichi inedita. Storia di un’opera illustrate. Milan: Skira, 2017
Goncourt, Edmond de. La maison d’un artiste. Dijon: L’échelle de Jacob, 2 vol., 2003.
Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Bobbs-Merill, 1968.
Guichard, Charlotte. “Taste Communities: The Rise of the 'Amateur' in Eighteenth-Century Paris." Eighteenth-Century Studies 45, no. 4 (Summer 2012): 519-537.
https://www.jstor.org/stable/23271618.
Haskell, Francis and Penny, Nicholas, Taste and the Antique. The lure of classical sculpture 1500- 1900. New Haven, Conn.: Yale University Press, 1981
Higonnet, Anne. A Museum of One’s Own. Pittsburgh, PA: Periscope Publishing, 2009.
Hodgkinson, Terence. “French Sculpture at Waddesdon.” The Burlington Magazine 101, no. 676/677 (July-August 1959): 254-259.
———. The James A. de Rothschild Collection at Waddesdon Manor: Sculpture. New York, 1970.
———. “A Clodion Statuette in the National Gallery of Canada.” National Gallery of Canada Bulletin 24 (1974): 13-21.
———. “Review: Clodion at the Frick Collection.” The Burlington Magazine 126, no. 981 (December 1984): 736+807+809.
Hoving, Thomas P. F. “The Game of Duplicity.” The Metropolitan Museum of Art Bulletin, New Series 26, no. 26 (February 1968): 241-246.
https://doi.org/10.2307/3258621
Ivins, W.M., Jr. Masterpieces in the collection of George Blumenthal: a special exhibition. New York, NY: The Metropolitan Museum of Art, 1943.
Jacquet-Rimassa, Pascale “Dionysos, d’ici et d’ailleurs” Pallas 48 (1998): 19-42.
———. “Les représentations de la musique, divertissement du symposion grec, dans les céramiques attiques et italiote (440-300),” Revue des études Anciennes 101, no. 1-2 (1999): 37-63.
———. “Autour du vin: pour un parcours dionysiaque,” Pallas 90 (2013): 39-51.
Kilmer, Martin F., Greek Erotica on Attic Red-Figure Vases. London: Duckworth, 1993
Lagasse, Paul "Berenson, Bernard." In The Columbia Encyclopedia and Columbia University. 8th ed. Columbia University Press, 2018. http://ezproxy.cul.columbia.edu/login?qurl=https%3A%2F%2Fsearch.credore…
Landels, John G. Music in Ancient Greece and Rome. London: Routledge, 2002.
Lessing, Alfred. “What is Wrong with a Forgery?” The Journal of Aesthetics and Art Criticism 23, no. 4 (Summer 1965): 461-471.
https://doi.org/10.2307/427668
Levey, Michael. Painting and Sculpture in France 1700-1789. New Haven: Yale University Press, 1993.
“Lewis Morgan Bloomingdale, ‘New York Marriages, 1686-1980.’” FamilySearch. Accessed April 27, 2019. https://www.familysearch.org/ark:/61903/1:1:F6WK-6KV.
Morton, Luise H., and Thomas R. Foster. “Goodman, Forgery, and the Aesthetic.” The Journal of Aesthetics and Art Criticism 49, no. 2 (Spring 1991): 155-159.
https://doi.org/10.2307/431704
Montfaucon, Dom Bernard de, L’Antiquité expliquée et représentée en figures.Paris : 1722
National Gallery of Art. “Ange Laurent de La Live de Jully.” Accessed April 28, 2019.
https://www.nga.gov/collection/art-object-page.32686.html#overview.
Papin-Drastik, Ivone, Faune, fais-moi peur ! Images du faune de l’Antiquité à Picasso. Paris : Silvana editoriale, 2018
"PARIS SALE." New York Times (1923-Current File), Nov 27, 1932.
http://ezproxy.cul.columbia.edu/login?url=https://search-proquest-com.ezproxy.cul.columbia.edu/docview/99781963?accountid=10226.
Parker, James. “Clodion’s Bas-Reliefs from the Hôtel de Condé.” The Metropolitan Museum of Art Bulletin 25, no. 6 (February 1967): 230-241.
Poulet, Anne. Clodion Terracottas in North American Collections. New York: The Frick Collection, 1984.
———. “A Neoclassical Vase by Clodion.” Art Institute of Chicago Museum Studies 15, no. 2 (1989): 138-153+177-180.
———. “Clodion’s Sculpture of the ‘Déluge.’” Journal of the Museum of Fine Arts, Boston 3 (1991): 51-76.
———. “On the Run. Clodion’s Bacchanalian Figures.” In French Art of the Eighteenth Century. The Michael L. Rosenberg Lecture Series at the Dallas Museum of Art, edited by Heather MacDonald, 170-179. Dallas: Museum of Art, 2016.
———. “Sculptures of Houdon and Clodion: Reflections of Antiquity.” Lecture presented at The Frick Collection, New York, April 3, 2014. https://www.frick.org/interact/anne_poulet_houdon_and_clodion_reflectio…
Poulet, Anne, and Guilhem Scherf. Clodion, 1738-1814. Paris: Réunion des Musées Nationaux, 1992.
———.“Connoisseurship/Curatorship: Part II.” Practices of Art History Colloquium. Class seminar, Columbia University, New York, March 14, 2019.
Raggio, Olga, "The Vélez Blanco Patio: An Italian Renaissance Monument From Spain." The Metropolitan Museum of Art Bulletin, v. 23, no. 4 (December, 1964): 141-43. http://resources.metmuseum.org/resources/metpublications/pdf/The_Velez_Blanco_Patio_An_Italian_Renaissance_Monument_From_Spain_The_Metropolitan_Museum_of_Art_Bulletin_v_23_no_4_December_1964.pdf
Rorimer, James. Statements regarding George Blumenthal for Arthur R. Blumenthal. May 11, 1965. Blumenthal, Clippings, Biography, Obituary, etc. 1930-31, 1934-36, 1941, 1943, 1954, 1964-65. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York, NY.
Rubenstein-Bloch, Stella. Catalogue of the Collection of George and Florence Blumenthal New-York. Paris: Editions Albert Lévy, 1924.
Seligman, Germain. Merchants of Art: Eighty Years of Professional Collecting: 1880-1960. New York, NY: Appleton-Century Crofts, Inc, 1961.
Scott, David A. Art: Authenticity, Restoration, Forgery. Los Angeles: Cotsen Institute of Archaeology Press, 2016.
Scherf, Guilhem. “Autour de Clodion: variations, répétitions, imitations.” Revue de l’art, no. 91 (1991): 47-59.
———.“Collections et collectionneurs de sculptures modernes. Un nouveau champ d’étude.” In L’art et les normes sociales au XVIIIe siècle, edited by Thomas Gaehtgens, Christian Michel, Daniel Rabreau, and Martin Schieder, 147-164. Paris: Editions de la maison des sciences de l’homme, 2001.
Scherf, Guilhem, ed. Clodion et la sculpture française de la fin du XVIIIe siècle. Actes du colloque organisé au Musée du Louvre par le service culturel les 20 et 21 mars 1992. Paris: La Documentation française, 1993.
Thirion, H. Les Adam et Clodion. Paris: A. Quantin, 1885.
Tomkins, Calvin. Merchants and Masterpieces: The Story of the Metropolitan Museum of Art. New York, NY: Henry Holt and Company, 1970, updated 1989.
Wardropper, Ian. “Adam to Clodion. Four French Terracotta Sculptures.” Art Institute of Chicago Museum Studies 11, no. 1 (Autumn 1984): 22-37.
———. “Connoisseurship/Curatorship: Part I.” Practices of Art History Colloquium. Class seminar, Frick Collection, New York, February 14, 2019.
Weinshenker, Anne Betty. “A Terra-Cotta Statuette by Clodion.” Porticus. The Journal of the Memorial Art Gallery of the University of Rochester IV (1983): 19-25.
———. “Review: Clodion at the Frick Collection.” Art Journal 44, no. 4 (Winter 1984): 383-385.
———. “Clodion and Painting.” In L’art et les Révolutions. Actes du XVIIe Congrès international d’histoire de l’art, Strasbourg, 1-7 septembre 1989, 133-142. Strasbourg: Société alsacienne pour le développement de l’histoire de l’art, 1992.
———. A God or a Bench. Sculpture as a Problematic Art during the Ancien Régime. Oxford: Peter Lang, 2008.
———.“Chinoiserie Sculpture.” Dalhousie French Studies 43, Orientals (Summer 1998): 45-69.
https://www.jstor.org/stable/40837235.
Traininger, Anita, and Enenkel, Karl A.E. The figure of the nymph in early modern culture . Boston: Brill Leiden, 2018
Whitehead, John. The French Interior in the Eighteenth Century. London: Laurence King Publishing, 1992.
Unpublished Sources and Archives
Blumenthal, Arthur R. “George Blumenthal: Art Collector and Patron.” Unpublished academic paper, New York University Institute of Fine Arts, New York, 1965. Blumenthal, George- Arthur
Excerpt from The National Cyclopedia of American Biography. New York, NY: James T. White & Co., January 18, 1943. Blumenthal, George- Arthur R. Blumenthal, George Blumenthal: Art Collector and Patron, 1965. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York, NY.
Hôtel Drouott. Catalogue des objets d'art et d'ameublement. Paris, France: Hôtel Drouott, 1933.
Factsheet of George Blumenthal. May 1941. Blumenthal, Clippings, Biography, Obituary, etc. 1930-31, 1934-36, 1941, 1943, 1954, 1964-65. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York, NY.
List of gifts of art by George Blumenthal 1905-1951. 1941. Blumenthal, George-Bequest-Art Collection (1941),1941-1943, 1957. Office of the Secretary Records. The Metropolitan Museum of Art Archives, New York, NY.
List of objects brought to The Metropolitan Museum of Art from Mary Anne Blumenthal’s apartment located at 960 Fifth Avenue, New York, NY on March 22, 1943 as part of the bequest of George Blumenthal. March 22, 1943. Blumenthal, George-Bequest-Art Collection (1941), 1941-1943, 1957. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York, NY.
Mr. Blumenthal gift receipt. May 28- June 25, 1941. Folder 1, Blumenthal, George- Gifts-Art- (1905-41), 1941, 1944, 1948, 1954, 1959, 1972. Office of the Secretary Records. The Metropolitan Museum of Art Archives, New York, NY.
Notes regarding the gift of two works attributed to Claude Michel (Clodion) by Irma Bloomingdale. Curatorial file for objects # 1976.12.006 and 1976.12.005. Columbia University Art Properties, Columbia University, New York, NY.
Photographs of a bust of Bernard Palissy that accompanied correspondence from Charles Sterling to James J. Rorimer. April 11, 1954. Folder 1, Blumenthal, George- Gifts-Art- (1905-41), 1941, 1944, 1948, 1954, 1959, 1972. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York, NY.
Sterling, Charles. Correspondence from Charles Sterling to James J. Rorimer. April 11, 1954. Folder 1, Blumenthal, George- Gifts-Art- (1905-41), 1941, 1944, 1948, 1954, 1959, 1972. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York, NY.
“The American Foundation for French Thought and Art.” New York Times, October 24, 1920, page 8 (VI). Quoted in Blumenthal, Arthur R., “George Blumenthal: Art Collector and Patron.” Unpublished academic paper, New York University Institute of Fine Arts, 1965. Blumenthal, George- Arthur R. Blumenthal, George Blumenthal: Art Collector and Patron,1965. Office of the Secretary Records, The Metropolitan Museum of Art Archives, New York.