| Title | Contains Image(s) | Description | Keywords |
|---|---|---|---|
| chakushu ちゃく手 | Also takushu 磔手 and chōshu 張手 (Sk: vitasti). A unit of measure that originated in India, used in the… |
Art History, Sculpture | |
| chichinojō 父尉 | Father old man. A Noh mask *nōmen 能面 representing a cheerful old man. The powder… |
Art History, Sculpture | |
| Chidō 治道 | ✓ | The path purifier, mask worn by the first actor in a procession of ancient theatrical performances gigaku 伎楽.… |
Art History, Sculpture |
| chiken-in 智拳印 | Lit. knowledge-fist mudra. A mudra or hand gesture *in 印 formed by… |
Art History, Sculpture | |
| Chikyū 地久 | ✓ | Also enjiraku or enchiraku 円地楽. A piece in imperial court dancing *… |
Art History, Sculpture |
| chinsō chōkoku 頂相彫刻 | Also chinzō chōkoku, see *chinsō 頂相. Portrait sculptures of… |
Art History, Sculpture | |
| chōgan 彫眼 | Eyes carved directly into the surface of a wooden sculpture. This method was in general use until the late Heian period when… |
Art History, Sculpture | |
| chōjūza 鳥獣座 | Also kinjūza 禽獣座 and jūza 獣座. A pedestal or throne for a Buddhist image in the form of a bird or a… |
Art History, Sculpture | |
| chōketsue 長袂衣 | Also pronounced chōketsui. A garment with long sleeves. Seen, for example, on images of *… |
Art History, Sculpture | |
| chōren 頂蓮 | Also kairen 開蓮. A lotus flower found on the head of a *Fudō Myōō … |
Art History, Sculpture | |
| chūjō 中将 | A Noh mask *nōmen 能面 supposedly intended to represent the 9th-century poet and… |
Art History, Sculpture | |
| chūkin 鋳金 | Metal casting. A technique used in metalwork to produce vessels or sculptures by melting down metal and pouring it into a… |
Art History, Sculpture | |
| chūson 中尊 | Also chūdai-no-son 中台の尊. The principal statue in a group of Buddhist statues. The central image in a triad or group… |
Art History, Sculpture | |
| chūzō 鋳造 | Also imono 鋳物. Casting. A technique used to make cast sculptural forms. The base material was heated… |
Art History, Sculpture | |
| ōakujō 大悪尉 | Also akujō 悪尉. A Noh mask *nōmen 能面… |
Art History, Sculpture | |
| ōbeshimi 大べし見 | Also simply beshimi べし見; formerly written 閉歯見. A Noh mask *nōmen 能面… |
Art History, Sculpture | |
| obikui 帯喰 | A decoration in the form of a lion's head *shigami 獅噛, found on… |
Art History, Sculpture | |
| ogata 雄型 | A projecting mould used in metalwork. Moulds used for metalwork were divided into two types: ogata (convex or… |
Art History, Sculpture | |
| ōhi 横被 | 1 A mounting for paintings and calligraphy which originated in China. It consists of a scroll with rollers… |
Art History, Sculpture | |
| ōji 祖父 | Lit. "old man." A type of mask used in kyōgen 狂言 plays to represent an old man. The term ōji usually… |
Art History, Sculpture | |
| okina 翁 | Also hakushikijō 白色尉. The white faced mask of a happy old man used in *Noh… |
Art History, Sculpture | |
| okinamen 翁面 | Proto-Noh masks *nōmen 能面 used in the three-piece ritual Shikisanba 式三番… |
Art History, Sculpture | |
| ōmionna 近江女 | Woman of ōmi. A Noh mask *nōmen 能面 representing a young-to-… |
Art History, Sculpture | |
| Ōnintei 皇仁庭 | Art History, Sculpture | ||
| onnamen 女面 | Noh masks *nōmen 能面 representing women. This category divides broadly into three… |
Art History, Sculpture | |
| onohajime 斧始 | Sometimes written 斧始め. Also te-onohajime 手斧始, katanahajime 刀始. A ceremony performed when an artist is… |
Art History, Sculpture | |
| onryōmen 怨霊面 | Noh masks *nōmen 能面 of ghosts and spirits. Although all the … |
Art History, Sculpture | |
| oshidashibutsu 押出仏 | Also tsuichōbutsu 鎚ちょう仏. A repose relief depicting Buddhist deities (and the technique involved). Usually small,… |
Art History, Sculpture | |
| oto 乙 | Also otogoze 乙御前. A mask of a young woman, used in kyōgen 狂言 plays. Oto has a fat, dimpled face… |
Art History, Sculpture | |
| ōtobide 大飛出 | Also tobide 飛出. A Noh mask *nōmen 能面 representing the God of… |
Art History, Sculpture | |
| otoko masugami 男十寸髪 | Also masugami otoko 十寸髪男. Noh masks *nōmen 能面 of male… |
Art History, Sculpture | |
| otokomen 男面 | Noh masks *nōmen 能面 representing men. These realistic portrayals… |
Art History, Sculpture |
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