| Title | Contains Image(s) | Description | Keywords |
|---|---|---|---|
| fudō 不動 | Art History, Sculpture | ||
| fukai 深井 | Deep. A noh mask, *nōmen 能面, representing a middle-aged woman torn by… |
Art History, Sculpture | |
| fukijiku 葺軸 | The part of a lotus-petal base, *rengeza 蓮華座, for a Buddhist image… |
Art History, Sculpture | |
| fukikaeshi 吹返 | 1 Also written 葺返. A board which projects diagonally out from the top of a statue canopy, *… |
Architecture, Accessories, Sculpture, Art History | |
| fukiyose 吹寄 | 1 The arrangement of muntins, lattice (*fukiyose gōshi… |
Art History, General Terms, Sculpture, Architecture | |
| fukiyoseshiki 吹寄式 | Also fukiyosebuki 吹寄葺, fukiyose renben 吹寄蓮弁, or *fukiyose… |
Art History, Sculpture | |
| fuku-no-kami 福の神 | The god of happiness, represented in kyōgen 狂言 plays by a masked figure, *… |
Art History, Sculpture | |
| fumigaeshi 踏返 | Replica casting. A technique used in metal casting, where a simple, flat metal object was covered with clay to make a mold.… |
Art History, Sculpture | |
| funagata kōhai 舟形光背 | Also funagatakō 舟形光. Lit. boat-shaped halo. A halo, *kōhai 光背, with a… |
Art History, Sculpture | |
| fundami 粉溜 | Also read fundame. A technique of coating a statue with gold. Used during and after the Kamakura period. The figure… |
Art History, Sculpture | |
| funnusō 忿怒相 | Also funnugyō 忿怒形 or shinnusō 瞋怒相. An angry expression found on Buddhist images. The opposite of *… |
Art History, Sculpture | |
| funzōe 糞掃衣 | Also pronounced funsōe or funsōi. A Buddhist monk's robe made from rags. According to Buddhist tradition,… |
Art History, Sculpture | |
| fusakumen 布作面 | Lit. cloth masks. Also sakumen 作面. Eighth-century burlap (ramie) pieces with a human face sketched in the… |
Art History, Sculpture | |
| fushikizō 節木増 | Knotted zō. A noh mask, *nōmen 能面, representing a mature young woman. A… |
Art History, Sculpture | |
| fuza 趺坐 | Abbreviation of either the *kekka fuza 結跏趺坐 (full-lotus posture) or the *… |
Art History, Sculpture | |
| ōakujō 大悪尉 | Also akujō 悪尉. A Noh mask *nōmen 能面… |
Art History, Sculpture | |
| ōbeshimi 大べし見 | Also simply beshimi べし見; formerly written 閉歯見. A Noh mask *nōmen 能面… |
Art History, Sculpture | |
| obikui 帯喰 | A decoration in the form of a lion's head *shigami 獅噛, found on… |
Art History, Sculpture | |
| ogata 雄型 | A projecting mold used in metalwork. Molds used for metalwork were divided into two types: ogata (convex or… |
Art History, Sculpture | |
| ōhi 横被 | 1 A mounting for paintings and calligraphy which originated in China. It consists of a scroll with rollers… |
Art History, Sculpture | |
| ōji 祖父 | Lit. "old man." A type of mask used in kyōgen 狂言 plays to represent an old man. The term ōji usually… |
Art History, Sculpture | |
| okina 翁 | Also hakushikijō 白色尉. The white faced mask of a happy old man used in *Noh 能… |
Art History, Sculpture | |
| okinamen 翁面 | Proto-Noh masks *nōmen 能面 used in the three-piece ritual Shikisanba 式三番… |
Art History, Sculpture | |
| ōmionna 近江女 | Woman of ōmi. A Noh mask *nōmen 能面 representing a young-to-… |
Art History, Sculpture | |
| Ōnintei 皇仁庭 | Art History, Sculpture | ||
| onnamen 女面 | Noh masks *nōmen 能面 representing women. This category divides broadly into three… |
Art History, Sculpture | |
| onohajime 斧始 | Sometimes written 斧始め. Also te-onohajime 手斧始, katanahajime 刀始. A ceremony performed when an artist is… |
Art History, Sculpture | |
| onryōmen 怨霊面 | Noh masks *nōmen 能面 of ghosts and spirits. Although all the … |
Art History, Sculpture | |
| oshidashibutsu 押出仏 | Also tsuichōbutsu 鎚ちょう仏. A repose relief depicting Buddhist deities (and the technique involved). Usually small,… |
Art History, Sculpture | |
| oto 乙 | Also otogoze 乙御前. A mask of a young woman, used in kyōgen 狂言 plays. Oto has a fat, dimpled face… |
Art History, Sculpture | |
| ōtobide 大飛出 | Also tobide 飛出. A Noh mask *nōmen 能面 representing the God of… |
Art History, Sculpture | |
| otoko masugami 男十寸髪 | Also masugami otoko 十寸髪男. Noh masks *nōmen 能面 of male… |
Art History, Sculpture | |
| otokomen 男面 | Noh masks *nōmen 能面 representing men. These realistic portrayals… |
Art History, Sculpture |
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