| Title | Contains Image(s) | Description | Keywords |
|---|---|---|---|
| a-un 阿吽 | ✓ | Sk: a-hum. 'A' is the sound of the first letter of the Sanskrit alphabet and is pronounced with the mouth open.… |
Art History, Sculpture |
| agedatamiza 上畳座 | A raised platform with a *tatami 畳 mat on top, often having a brightly… |
Art History, Sculpture | |
| Agyō 阿形 | A statue of a figure with its mouth open. Usually seen on one of a pair of guardian kings *Niō… |
Art History, Sculpture | |
| akobujō 阿古父尉 | Also written as 阿瘤尉. A Noh mask *nōmen 能面, representing a dignified, old man who… |
Art History, Sculpture | |
| Ama 案摩 | A dance piece in *bugaku 舞楽, as well as the mask *… |
Art History, Sculpture | |
| ama 尼 | Lit. nun. A character in kyōgen 狂言 plays, represented by a masked figure *… |
Art History, Sculpture | |
| Amida keka 阿弥陀悔過 | One of a group of chanted prayers used to express penitence to various Buddhist deities. Prayers of repentance to *… |
Art History, Sculpture | |
| Amida kubon-in 阿弥陀九品印 | Also read Amida kuhon-in. Lit. Mudras of the nine grades of Amida. The Pure Land jōdo 浄土 into which *… |
Art History, Sculpture | |
| andae 安陀衣 | The simplest form of robe that a Buddhist priest wears when he is either resting or at work. The andae is one of… |
Art History, Sculpture | |
| Annamiyō 安阿弥様 | A style of Buddhist statuary originated by Kaikei 快慶 (?-1189-1221-?), a devout believer in the Pure Land sect, Jōdokyō … |
Art History, Sculpture | |
| arabori 荒彫 | Lit. rough cutting. The second stage in the making of a wooden statue. The first stage is to cut a large block of timber the… |
Art History, Sculpture | |
| aratsuchi 荒土 | Lit. rough clay. Clay mixed with other materials (known as *susa すさ),… |
Art History, Sculpture | |
| asakurajō 朝倉尉 | A Noh mask *nōmen 能面 representing an old man. The broad bone structure, direct… |
Art History, Sculpture | |
| asao 麻紵 | Also written 麻緒, 麻苧, asahimo 麻紐, asa-ito 麻糸. Cord or thread made from hemp, asa 麻, and Chinese… |
Art History, Sculpture | |
| ashihozo 足ほぞ | Lit. foot-tenon. A rectangular piece of wood that projects from the sole of a standing wooden statue and fits into a… |
Art History, Sculpture | |
| awaotoko 阿波男 | A Noh mask *nōmen 能面 of the basic emaciated *… |
Art History, Sculpture | |
| ayakashi 怪士 | Also written 霊神, 網像, 危. Noh masks *nōmen 能面, representing a wraith or a… |
Art History, Sculpture | |
| Ayakiri 綾切 | Also written 阿夜岐理 and called Aikirijo 愛嗜女. A dance piece in *bugaku 舞楽 and a… |
Art History, Sculpture | |
| bakō-in 馬口印 | Lit. horse-mouth mudra. A mudra or hand gesture *in 印, formed by placing both palms… |
Art History, Sculpture | |
| baku 縛 | Lit. bind (Sk: bandha). A mudra or hand gesture *in 印, formed by clasping both… |
Art History, Sculpture | |
| Baramon 波羅門 | ✓ | A gigaku mask *gigakumen 伎楽面, representing a Brahmin (the highest… |
Art History, Sculpture |
| Batō 抜頭 | Also written 髪頭, 鉢頭, 撥頭. A dance piece in *bugaku 舞楽 and the mask of a terse,… |
Art History, Sculpture | |
| benpatsu 弁髪 | Also 辮髪. A long rope of hair hanging down the left side of the face and the left shoulder of a sculpted figure.… |
Art History, Sculpture | |
| beshimi akujō べし見悪尉 | Also called akujō beshimi 悪尉べし見, depending upon the school of Noh mask *nōmen… |
Art History, Sculpture | |
| bikugyō 比丘形 | Also sōgyō 僧形. A statue of a figure with a round shaved head, usually representing a Buddhist priest. Most commonly… |
Art History, Sculpture | |
| Bishamon 毘沙門 | An abbreviation of *Bishamonten 毘沙門天, one of the four heavenly kings, or *… |
Art History, Sculpture | |
| bonkyō 梵篋 | A box for sutras. Indian sutras were written on long, narrow palm leaves. The leaves were stacked one top of the other, with… |
Art History, Sculpture | |
| bosatsu 菩薩 | 1 Abbreviation of bodai satta 菩提薩た, a transliteration of the Sanskrit bodhisattva (Pari bodhisatta… |
Art History, Iconography, Sculpture | |
| buaku 武悪 | A mask used in kyōgen 狂言 plays to represent a demon. Glaring eyes, a wide jaw, and bared teeth give the mask a… |
Art History, Sculpture | |
| bugakumen 舞楽面 | Masks worn when performing certain of the *bugaku 舞楽 dances developed from… |
Art History, Sculpture | |
| busshi 仏師 | Also bukkō 仏工, zōbusshi 造仏師. A sculptor of Buddhist statues. The term was first used in the… |
Art History, Sculpture | |
| busshi keizu 仏師系図 | The lineage of a Buddhist sculptor *busshi 仏師, often presented as a… |
Art History, Sculpture | |
| bussho 仏所 | A workshop or school of Buddhist sculptors *busshi 仏師. Bussho usually… |
Art History, Sculpture | |
| butsugan 仏龕 | Also gan 龕. A niche carved out of a wall for the purpose of installing a Buddhist image, or a miniature Buddhist… |
Art History, Sculpture | |
| butsuzō 仏像 | A general term that refers to all images of the Buddha used as objects of worship, although most commonly used to refer to… |
Art History, Sculpture | |
| byakudan 白檀 | Sandalwood; santalum album. A tree with fine-grained hardwood, native to India and Southeast Asia. The wood is pale-yellow… |
Art History, Sculpture | |
| byakugō 白毫 | ✓ | Also *mikenkō 眉間光, miken byakugō 眉間白毫, miken byakugōsō 眉間白毫相… |
Art History, Sculpture |
| chakushu ちゃく手 | Also takushu 磔手 and chōshu 張手 (Sk: vitasti). A unit of measure that originated in India, used in the… |
Art History, Sculpture | |
| chichinojō 父尉 | Father old man. A Noh mask *nōmen 能面 representing a cheerful old man. The powder… |
Art History, Sculpture | |
| Chidō 治道 | ✓ | The path purifier, mask worn by the first actor in a procession of ancient theatrical performances gigaku 伎楽.… |
Art History, Sculpture |
| chiken-in 智拳印 | Lit. knowledge-fist mudra. A mudra or hand gesture *in 印 formed by… |
Art History, Sculpture | |
| Chikyū 地久 | ✓ | Also enjiraku or enchiraku 円地楽. A piece in imperial court dancing *… |
Art History, Sculpture |
| chinsō chōkoku 頂相彫刻 | Also chinzō chōkoku, see *chinsō 頂相. Portrait sculptures of… |
Art History, Sculpture | |
| chōgan 彫眼 | Eyes carved directly into the surface of a wooden sculpture. This method was in general use until the late Heian period when… |
Art History, Sculpture | |
| chōjūza 鳥獣座 | Also kinjūza 禽獣座 and jūza 獣座. A pedestal or throne for a Buddhist image in the form of a bird or a… |
Art History, Sculpture | |
| chōketsue 長袂衣 | Also pronounced chōketsui. A garment with long sleeves. Seen, for example, on images of *… |
Art History, Sculpture | |
| chōren 頂蓮 | Also kairen 開蓮. A lotus flower found on the head of a *Fudō Myōō … |
Art History, Sculpture | |
| chūjō 中将 | A Noh mask *nōmen 能面 supposedly intended to represent the 9th-century poet and… |
Art History, Sculpture | |
| chūkin 鋳金 | Metal casting. A technique used in metalwork to produce vessels or sculptures by melting down metal and pouring it into a… |
Art History, Sculpture | |
| chūson 中尊 | Also chūdai-no-son 中台の尊. The principal statue in a group of Buddhist statues. The central image in a triad or group… |
Art History, Sculpture | |
| chūzō 鋳造 | Also imono 鋳物. Casting. A technique used to make cast sculptural forms. The base material was heated… |
Art History, Sculpture | |
| daibusshi 大仏師 | Also daibusshi-shiki 大仏師職, zōbutsu-chōkan 造仏長官. An important Buddhist sculptor *… |
Art History, Sculpture | |
| daibutsu 大仏 | ✓ | Also jōrokubutsu 丈六仏. The term used to describe a very large statue of Buddha. Originally any statue more than… |
Art History, Sculpture |
| daibutsuza 大仏座 | A standard lotus pedestal *rengeza 蓮華座 used to support a *… |
Art History, Sculpture | |
| daie 大衣 | Also sōgyari 僧伽梨 (Sk: sanghati). A robe worn by Buddhist priests. The largest of the three robes *… |
Art History, Sculpture | |
| Daikoku 大黒 | 1 An abbreviation for *Daikokuten 大黒天 (Sk: Mahakala). Regarded by… |
Architecture, Folk Dwellings, Sculpture, Art History | |
| daiza 台座 | A pedestal or dais upon which a Buddhist image is placed. The type of pedestal is related to the type of image it supports… |
Art History, Sculpture | |
| dakkatsu kanshitsu 脱活乾漆 | Also dakkanshitsu 脱乾漆, dakkatsu kanshitsuzō 脱活乾漆像, dakkatsu kanshitsu-zukuri 脱活乾漆造. Hollow dry… |
Art History, Sculpture | |
| danzō 檀像 | A Buddhist statue made from fragrant, fine-grained wood such as white sandalwood *… |
Art History, Sculpture | |
| dei-no-kotobide 泥の小飛出 | A Noh mask *nōmen 能面 used to represent a terrestrial spirit or a dragon god.… |
Art History, Sculpture | |
| deigan 泥眼 | Gold eyes. A Noh mask, *nōmen 能面, representing a mature woman who carries within… |
Art History, Sculpture | |
| dō 幢 | Also hōdō 宝幢, tendō 天幢, or bandō 幡幢. A small, rectangular cloth banner on a pole used as a… |
Art History, Sculpture | |
| dōbō 動貌 | The movable face plate. The most elaborate gimmick used on the bugaku mask, *… |
Art History, Sculpture | |
| dōgan 動眼 | Rotating eyes, a gimmick used for many bugaku masks, *bugakumen 舞楽面… |
Art History, Sculpture | |
| dōji 童子 | Lit. child, young boy. |
Art History, Iconography, Sculpture | |
| domon 土文 | Decorative drapery used on statues in the Kamakura region from the late Kamakura period. The drapery was made in clay relief… |
Art History, Sculpture | |
| doroji 泥地 | A technique where a mixture of animal glue, *nikawa 膠, and powdered burnt clay… |
Art History, Sculpture | |
| dōzō 銅造 | Bronze work. Bronze casting has been very important in Japan since ancient times, and was used for Yayoi period dōtaku… |
Art History, Sculpture | |
| ebigote 海老篭手 | Also ebigatakote 海老形篭手. A shrimp-shaped gauntlet *kote 篭手. Armor worn to… |
Art History, Sculpture | |
| Ebisu 恵比須 | ✓ | Also written 夷, 戎, or 蛭子. |
Art History, Sculpture |
| eizō 影像 | Art History, Sculpture | ||
| emon 衣文 | Folds in a garment, or the pattern made by these folds. In Buddhist statues, the style of drapery folds changed… |
Art History, Sculpture | |
| En-pa 円派 | A Buddhist sculpture school *bussho 仏所, active in Kyoto from the 11th century… |
Art History, Sculpture | |
| enbu dangon 閻浮檀金 | An imaginary type of gold which, according to Buddhist scriptures, was the most precious of metals. It was said to be found… |
Art History, Sculpture | |
| enkei kōhai 円形光背 | A round nimbus. A round halo on a Buddhist statue, attached to the back of the head. Enkei kōhai are further… |
Art History, Sculpture | |
| enkō 円光 | A type of round nimbus *kōhai 光背 or halo, found on a Buddhist image. The… |
Art History, Sculpture | |
| enmeikaja 延命冠者 | Lit. Lengthened life Kaja. A noh mask *nōmen 能面 representing a cheerful young… |
Art History, Sculpture | |
| enpatsu 炎髪 | Also written 焔髪. Upstanding hair in the shape of flames. This accompanies an expression of anger *… |
Art History, Sculpture | |
| ensōkō 円相光 | Also ensō kōhai 円相光背. A large circular halo *kōhai 光背 found on… |
Art History, Sculpture | |
| fudō 不動 | Art History, Sculpture | ||
| fukai 深井 | Deep. A noh mask, *nōmen 能面, representing a middle-aged woman torn by… |
Art History, Sculpture | |
| fukijiku 葺軸 | The part of a lotus-petal base, *rengeza 蓮華座, for a Buddhist image… |
Art History, Sculpture | |
| fukikaeshi 吹返 | 1 Also written 葺返. A board which projects diagonally out from the top of a statue canopy, *… |
Architecture, Accessories, Sculpture, Art History | |
| fukiyose 吹寄 | 1 The arrangement of muntins, lattice (*fukiyose gōshi… |
Art History, General Terms, Sculpture, Architecture | |
| fukiyoseshiki 吹寄式 | Also fukiyosebuki 吹寄葺, fukiyose renben 吹寄蓮弁, or *fukiyose… |
Art History, Sculpture | |
| fuku-no-kami 福の神 | The god of happiness, represented in kyōgen 狂言 plays by a masked figure, *… |
Art History, Sculpture | |
| fumigaeshi 踏返 | Replica casting. A technique used in metal casting, where a simple, flat metal object was covered with clay to make a mold.… |
Art History, Sculpture | |
| funagata kōhai 舟形光背 | Also funagatakō 舟形光. Lit. boat-shaped halo. A halo, *kōhai 光背, with a… |
Art History, Sculpture | |
| fundami 粉溜 | Also read fundame. A technique of coating a statue with gold. Used during and after the Kamakura period. The figure… |
Art History, Sculpture | |
| funnusō 忿怒相 | Also funnugyō 忿怒形 or shinnusō 瞋怒相. An angry expression found on Buddhist images. The opposite of *… |
Art History, Sculpture | |
| funzōe 糞掃衣 | Also pronounced funsōe or funsōi. A Buddhist monk's robe made from rags. According to Buddhist tradition,… |
Art History, Sculpture | |
| fusakumen 布作面 | Lit. cloth masks. Also sakumen 作面. Eighth-century burlap (ramie) pieces with a human face sketched in the… |
Art History, Sculpture | |
| fushikizō 節木増 | Knotted zō. A noh mask, *nōmen 能面, representing a mature young woman. A… |
Art History, Sculpture | |
| fuza 趺坐 | Abbreviation of either the *kekka fuza 結跏趺坐 (full-lotus posture) or the *… |
Art History, Sculpture | |
| gachirin 月輪 | Also gatsurin, getsurin. A perfectly round circle meant to represent the full moon, a frequently used… |
Art History, Sculpture | |
| ganzō 龕像 | Images carved in a niche. In a broad sense the term refers to the Buddhist images of high relief carved into the rock walls… |
Art History, Sculpture | |
| gasshō 合掌 | 1 The triangular frame created by joining a pair of cruck-like members *… |
Architecture, General Terms, Art History, Sculpture | |
| geki 戟 | Also hoko 鉾. A weapon, found as an attribute of fearsome Buddhist figures such as *… |
Art History, Sculpture | |
| Genjōraku 還城楽 | Return to the castle dance, Alternative names: Genkyōraku 環京楽 (Return to Capital Dance), Genjōraku 還成楽 (Return of One of… |
Art History, Sculpture | |
| gigakumen 伎楽面 | Masks worn for performances of *gigaku 伎楽, now-lost temple processions and… |
Art History, Sculpture |
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