| Title | Contains Image(s) | Description | Keywords |
|---|---|---|---|
| Ō Gishi 王羲之 | Ch: Wang Xizhi (303-61). A famous Chinese calligrapher of the Eastern Jin period, considered an originator of both the… |
Art History, Painting | |
| Ō Jinran 黄仁覧 | Ch: Huang Renlan. A Chinese immortal who travels many thousands of ri 里 (a ri is approximately 4 km) on… |
Art History, Painting | |
| Ō Shikyō 王子喬 | Ch: Wang Ziqiao. A Zhou dynasty Taoist immortal associated with playing the shō, ō , a traditional reed… |
Art History, Painting | |
| Ō Shitsu 王質 | Ch: Wang Zhi (ca. 255-209 BC). A Jin dynasty woodcutter from Quchuan 衢川, who while wandering through the mountains of Guzhou… |
Art History, Painting | |
| Ō Shōkun 王昭君 | Ch: Wang Zhaojun. A beautiful court lady of the Former Han dynasty mistakenly sent to the Huns 匈奴. Her family name was Qiang… |
Art History, Painting | |
| ōakujō 大悪尉 | Also akujō 悪尉. A Noh mask *nōmen 能面… |
Art History, Sculpture | |
| ōbakuga 黄檗画 | Paintings done by Ōbaku 黄檗 (Ch: Huangbo) Zen 禅 monks and their followers. Many modern historians also include religious… |
Art History, Painting | |
| ōban 大判 | Lit. "large format." A size of *ukiyo-e 浮世絵 print. The term ōban… |
Art History, Painting | |
| ōbeshimi 大べし見 | Also simply beshimi べし見; formerly written 閉歯見. A Noh mask *nōmen 能面… |
Art History, Sculpture | |
| obikui 帯喰 | A decoration in the form of a lion's head *shigami 獅噛, found on… |
Art History, Sculpture | |
| ōbōsho 大奉書 | A standard large-sized sheet of *hōsho 奉書 paper. Approximately 39 x 53 cm. The… |
Art History, Painting | |
| ōdo 黄土 | Yellow ochre pigment. Lit. "yellow earth." Made from earth containing hydrated ferric oxide (goethite FeO.OH or limonite… |
Art History, Painting | |
| ōgao-e 大顔絵 | Lit. "large (or full) face pictures." A type of *ukiyo-e 浮世絵, or… |
Art History, Painting | |
| ogata 雄型 | A projecting mould used in metalwork. Moulds used for metalwork were divided into two types: ogata (convex or… |
Art History, Sculpture | |
| Ōgi-no-mato 扇の的 | Lit. "The Fan Target." A pictorial theme connected with a famous incident from the Battle of Yashima *… |
Art History, Painting | |
| ōgi 扇 | A fan used to cool or for ceremonial purposes. Generally the same as sensu 扇子, although ōgi generally… |
Art History, Painting | |
| ogo-e 御後絵 | Portraits of the successive kings of Ryūkyū 琉球 (modern-day Okinawa Prefecture). |
Art History, Painting | |
| Ogurayama 小倉山 | A hill in the *Sagano 嵯峨野 area, northwest of Kyoto, facing the low mountains of… |
Art History, Painting | |
| Ōhara gokō 大原御幸 | Lit. "the imperial visit to Ohara." Also written 小原御幸. A pictorial theme related to the pathos-filled journey of the retired… |
Art History, Painting | |
| ōhi 横被 | 1 A mounting for paintings and calligraphy which originated in China. It consists of a scroll with rollers… |
Art History, Sculpture | |
| oi 笈 | A square wooden box with four legs carried as a backpack by mountain ascetic priests, yamabushi 山伏. The interior of… |
Art History, Iconography | |
| ōji 祖父 | Lit. "old man." A type of mask used in kyōgen 狂言 plays to represent an old man. The term ōji usually… |
Art History, Sculpture | |
| okashi おかし | 1 Charming, or delightful. An approach to the aesthetic indicating a carefree appreciation of objects and… |
Art History, General Terms | |
| okina 翁 | Also hakushikijō 白色尉. The white faced mask of a happy old man used in *Noh… |
Art History, Sculpture | |
| okinamen 翁面 | Proto-Noh masks *nōmen 能面 used in the three-piece ritual Shikisanba 式三番… |
Art History, Sculpture | |
| oko-e 嗚呼絵 | Also written 嗚滸絵. Comic, satiric paintings popular among aristocrats in the Heian period. The priest Kakuyū 覚猷 (1053-1140;… |
Art History, Painting | |
| oku-eshi 奥絵師 | The highest ranking of the official painters *goyō-eshi 御用絵師… |
Art History, Painting | |
| ōkubi-e 大首絵 | Lit. "large head depictions." A common type of *ukiyo-e 浮世絵 print… |
Art History, Painting | |
| okugaki 奥書 | Also okuzuke 奥付, atogaki 後書, batsu 跋 (Ch: ba), or batsubun 跋文 (Ch: bawen… |
Art History, Painting | |
| Ōmi hakkei 近江八景 | Lit. "Eight views of Ōmi." An early and famous Japanese version of the eight views, or *… |
Art History, Painting | |
| ominaeshi 女郎花 | Courtesans flowers; wild pinks. | Art History, Painting | |
| ōmionna 近江女 | Woman of ōmi. A Noh mask *nōmen 能面 representing a young-to-… |
Art History, Sculpture | |
| omohan 主版 | Also sumi-ta 墨板 (black ink block); jizumi-ita 地墨板; sumizuri-no-ita 墨摺の板; daihan 台板… |
Art History, Painting | |
| omote-eshi 表絵師 | Lower-ranking groups of official painters employed by the shogunate during the Edo period. The disciples and branch families… |
Art History, Painting | |
| ōmuseki 鸚鵡石 | A book containing excerpts from *kabuki 歌舞伎 plays, used by… |
Art History, Painting | |
| Ōnintei 皇仁庭 | Art History, Sculpture | ||
| onna-e 女絵 | Onna-e (feminine painting) is a most maligned term that invites various interpretations, some even contradictory.… |
Art History, Painting | |
| onnamen 女面 | Noh masks *nōmen 能面 representing women. This category divides broadly into three… |
Art History, Sculpture | |
| onohajime 斧始 | Sometimes written 斧始め. Also te-onohajime 手斧始, katanahajime 刀始. A ceremony performed when an artist is… |
Art History, Sculpture | |
| onryōmen 怨霊面 | Noh masks *nōmen 能面 of ghosts and spirits. Although all the … |
Art History, Sculpture | |
| ōōban 大々判 | Lit. "extra large format." A size of *ukiyo-e 浮世絵 print. The term ōōban… |
Art History, Painting | |
| oribeyaki 織部焼 | ✓ | Oribe 織部 ware. Produced mainly from 1600 to the 1630s, this high-fired pottery juxtaposing rich fluid glazes with abstract… |
Art History, Crafts |
| origami 折紙 | Lit. "folded paper." |
Art History, Painting | |
| orihon 折本 | ✓ | Also jōsōbon 帖装本 and orijō 折帖 or jō 帖. Ch: zheben (Jp: shōhon 摺本). An… |
Art History, Painting |
| oshi-e 押絵 | Fabric pictures. Representations of figures, birds, animals, flowers, landscapes or characters of a poem that are cut out of… |
Art History, Painting | |
| oshidashibutsu 押出仏 | Also tsuichōbutsu 鎚ちょう仏. A repose relief depicting Buddhist deities (and the technique involved). Usually small,… |
Art History, Sculpture | |
| ōshukubai 鴬宿梅 | Lit. "the plum tree where the warbler dwells." A painting subject inspired by an episode in the 10th-century tale in … |
Art History, Painting | |
| otafuku お多福 | Also okame おかめ, ofuku お福, otogoze 乙御前, and *sanpei… |
Art History, Painting | |
| ōtan 黄丹 | Also pronounced ōdan, ōni. A deep yellow color, produced by dyeing yellow gardenia *… |
Art History, Painting | |
| oto 乙 | Also otogoze 乙御前. A mask of a young woman, used in kyōgen 狂言 plays. Oto has a fat, dimpled face… |
Art History, Sculpture | |
| ōtobide 大飛出 | Also tobide 飛出. A Noh mask *nōmen 能面 representing the God of… |
Art History, Sculpture | |
| otogi zōshi 御伽草子 | Popular stories which flourished from the late Kamakura to the early Edo period. The name derives from an early 18th-century… |
Art History, Painting | |
| otoko masugami 男十寸髪 | Also masugami otoko 十寸髪男. Noh masks *nōmen 能面 of male… |
Art History, Sculpture | |
| otokomen 男面 | Noh masks *nōmen 能面 representing men. These realistic portrayals… |
Art History, Sculpture | |
| Otome 乙女 | ✓ | A pictorial subject taken from "Otome" ("The Maiden"), Chapter 21 of Genji monogatari 源氏物語 (The Tale of Genji… |
Art History, Painting, Document |
| Ōtsu-e 大津絵 | Also known as oiwake-e 追分絵, derived from place names on the outskirts of Ōtsu. Small paintings produced for… |
Art History, Painting | |
| oyama-e おやま絵 | Also *yūjo-e 遊女絵. The term used in Osaka for pictures of… |
Art History, Painting | |
| ōyoroi 大鎧 | Lit. "big armor." The most formal type of armor for high-ranking samurai 侍, it was loose-fitting defensive… |
Art History, Crafts | |
| raden 螺鈿 | 1 A shell, especially mother-of-pearl, inlay technique commonly used for lacquer ware *… |
Art History, Crafts | |
| Rafusen 羅浮仙 | Ch: Luofuxian. The story and pictorial theme of an immortal on Mt. Luofu 羅浮山 (Jp: Rafusen) and the spirit… |
Art History, Painting | |
| rahotsu 螺髪 | Spiral shaped curls of hair, like snail-shells, on the head of a *nyorai… |
Art History, Sculpture | |
| Raigō-in Amida 来迎印阿弥陀 | Lit. "Amida with welcoming descent mudras." A figure of *Amida 阿弥陀 with hand… |
Art History, Iconography | |
| raigō-in 来迎印 | Lit. "welcoming mudra." A mudra or hand gesture *in 印 in which the forefinger,… |
Art History, Sculpture | |
| raigō-zu 来迎図 | Painted images of Buddhas and bodhisattvas, such as *Shaka 釈迦, *… |
Art History, Iconography | |
| Raisan imo wo yaku 懶瓚芋を焼く | Ch: Lanzan weiyu 懶瓚煨芋. A Zen 禅 (Ch: Chan) painting subject depicting the late 8th century Chinese Zen priest Lanzan… |
Art History, Painting | |
| rakan 羅漢 | Arhat. Ch: luohan, Sk: arhan. Abbreviation of arakan 阿羅漢, a translation of the Sk. term arhan… |
Art History, Iconography | |
| rakkan 落款 | An abbreviation of the term rakusei kanshiki 落成款識. Lit. "inscription cast into ancient bronze vessels at… |
Art History, Painting | |
| rakuchū rakugai zu 洛中洛外図 | Paintings of scenes in and around Kyoto. Famous sites, festivals and activities within the capital rakuchū 洛中… |
Art History, Painting | |
| rakugaki 落書 | Also written 楽書. Graffiti or scribblings. The earliest examples in Japan are the scribblings in the margins or on the backs… |
Art History, Painting | |
| rakuyaki 楽焼 | ✓ | Raku 楽 ware. A light weight ceramic ware developed in Kyoto in the Momoyama period and particularly prized in the… |
Art History, Crafts |
| ramō 羅網 | A net-like ornament strung with jewels or precious metals and hung from the canopy *… |
Art History, Sculpture | |
| ran'yōbyō 蘭葉描 | Ch: lanyemiao. Lit. "orchid-leaf drawing." A style of ink-painting using fluid, modulated lines that resemble the… |
Art History, Painting | |
| rantai shikki 籃胎漆器 | The technique whereby bamboo strips are woven into shapes and coated with lacquer. Also called kagoji 籠地 (basket… |
Art History, Crafts | |
| rantei kyokusui 蘭亭曲水 | Ch: Lanting qushui. Lit. "meandering stream and orchid pavilion." A painting theme which refers to a gathering held… |
Art History, Painting | |
| rasetsu 羅刹 | Transliteration of Sanskrit raksasa, a term for demons in general, but which may also be divided into three classes… |
Art History, Iconography | |
| Rei Shōjo 霊昭女 | Ch: Ling Zhaonu. Raised by her aged parents as a devout Buddhist, this semi-legendary daughter of Tang dynasty lay Buddhist… |
Art History, Painting | |
| reihon 零本 | A set of books from which the larger portion is missing; the odd volume or smaller portion (i.e., several pages) of a larger… |
Art History, Painting | |
| Reiun Kanka 霊雲観花 | Ch: Lingyun Guanhua. The Tang dynasty Zen 禅 priest Lingyun Zhiqin (Jp: Reiun Shikin 霊雲志勤), a disciple of Weishan Lingyu (Jp… |
Art History, Painting | |
| ren 聯 | A long piece of paper or board the same length as *zenshi 全紙 (approximately 135… |
Art History, Painting | |
| ren'ochi 聯落 | A piece of paper, three-quarters the size of *zenshi 全紙. When a… |
Art History, Painting | |
| renben 蓮弁 | Lit. "lotus petal." |
Architecture, Roofing Tiles, Art History, Sculpture | |
| rengemon 蓮華文 | Also renge karakusa 蓮華唐草. Lit. "lotus pattern." A decorative floral and vine design motif that originated in China… |
Art History, Painting | |
| rengeza 蓮華座 | ✓ | Also renza 蓮座. Lit. "Lotus base" (Sk: padmasana). A dais for a Buddhist image *… |
Art History, Sculpture |
| renjumon 連珠文 | ✓ | Also *shumon 珠文. A design pattern that uses circles to represent pearls which… |
Art History, Painting |
| renniku 蓮肉 | The central section of a lotus flower pedestal *rengeza 蓮華座 on which a Buddhist image usually… |
Art History, Sculpture | |
| renpashiki emon 漣波式衣文 | A manner of representing drapery folds in Buddhist sculpture. It consists of either 1) a high… |
Art History, Sculpture | |
| retchōsō 列帖装 | Also tetsuyōsō 綴葉装 or retsuyōsō 列葉装. |
Art History, Painting | |
| Ri Haku 李白 | Ch: Li Bai (701-62). One of the two most famous poets of the early Tang dynasty along with Du Fu (Jp: *… |
Art History, Painting | |
| Ri Kō shaseki 李広射石 | Ch: Li Guang sheshi. Lit. "Li Guang shooting a rock." The Han dynasty archer Li Guang (Jp: Ri Kō 李広) who, on a… |
Art History, Painting | |
| rigōfuku 離合幅 | Hanging scrolls *kakemono 掛物 in a set of two or more. Each… |
Art History, Painting | |
| Rikishi 力士 | ✓ | Ch: Lishi. A gigaku mask *gigakumen 伎楽面… |
Art History, Sculpture |
| Rikuhō 六法 | The Six Canons or Principles, thought to be essential for the appreciation of Chinese painting. They were set out in the… |
Art History, Painting | |
| Rin Nasei 林和靖 | Ch: Lin Hejing (967-1028). A noted poet, calligrapher and scholar of the Northern Song dynasty. Rin Nasei's real name was… |
Art History, Sculpture | |
| Rin Reiso 林霊素 | Ch: Lin Lingsu. A Daoist immortal in the service of the Northern Song Emperor Huizong (Jp: Kisō 徽宗, r. 1101-25). A staunch… |
Art History, Painting | |
| rinkō 輪光 | A type of halo *kōhai 光背 used on Buddhist images, forming a free-… |
Art History, Sculpture | |
| rinmo 臨模 | A technique used to copy *mosha 模写 a painting or work of calligraphy. The… |
Art History, Painting | |
| rinnōza 輪王坐 | ✓ | The royal ease position (Sk: Maharajalilasana). A seated position used for a Buddhist image with one knee (usually… |
Art History, Sculpture |
| Rinpa 琳派 | A school of painters and decorative artists, which began in 17th-century Kyoto and then spread to Kanazawa and Edo. The term… |
Art History, Painting | |
| Rinzai 臨済 | Also known by the Chinese name: Linji. A Tang dynasty priest who founded a major school of chan (Jp: Zen 禅) Buddhism. Zen… |
Art History, Iconography | |
| Rishukyō mandara 理趣経曼荼羅 | The Rishukyō jūhachi-e mandara was introduced from China to Japan by Ennin 円仁 (794-864) and Shūei 宗叡 (809-884… |
Art History, Iconography |
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